©-DR-BAD LIEUTENANT de Werner Herzog (2009) p28
25/02/2015 07:02 par tellurikwaves
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One thing you can always count on when you go into a Werner Herzog movie is that you can always expect to find a story surrounding a very bizarre individual. With Bad Lieutenant, I saw both Herzog and Nicholas Cage in a new light, or rather a new darkness. Labeled as a black comedy, there should be more emphasis on 'black' than on 'comedy'. The film bears a strong resemblance to the thematically surreal and contrived nature of a Coen Brothers film, but the difference is that this one is more character driven than plot driven. More specifically, this is a film that lives on one performance. Nicholas Cage for the first time in a while has done something worthy of recognition, possibly even award worthy.
He plays New Orleans cop Terence McDonagh, recently promoted to Lieutenant. The film follows his latest homicide investigation. Due to a back problem and a drug addiction he is grumpy and unstable. He is sort of an anti- American hero, and the film concludes on a very bizarre note but clever anti- conventional/Hollywood manner.Though not Herzog's best, it is certainly one worth watching. With each film I see from him, past or present he continues to intrigue me, but I think in this case, it might be Nicholas Cage who deserves the most credit.
*
I just watched this at London Film Festival & went in expecting to hate it as I loved the original. But I have to say, the film is excellent, certainly Cage's best film & best performance since Leaving Las Vegas. Herzog has done a brilliant job & the film stands on it's own, apart from the Ferrara film. I won't spoil bits by mentioning them, but the film has several stand-out memorable scenes worth the price of admission alone. Herzog has always said that training for making films is 'life' not a stuffy film studies class etc. If you're familiar with his work or sensibilities, you'll get even more insight into how cool this guy is after watching this film. I look fwd to watching it again when it releases and getting the DVD!!
*
This is one of the best films of the year, but judging by the comments here, it's also one of the most under-appreciated and misunderstood.I loved it. To the horde of naysayers, I simply want to shout from the rooftops, "This is a film dammit, not an exercise in some mysterious media, and it's a damn good one." There. That feels better.Nicolas Cage finds his inner demons and let's them out to play in his role as the drug addicted cop. He's more than believable as a coke snorting, crack rock smoking fiend who thinks nothing of squeezing people, good guys and bad alike. And by the way, the bizarre mannerisms...yup, that's what drugs will do for you. To my mind, he nailed it! Take one small mannerism, the way he snorts a small pinch of coke from the back of his hand, a flurry of movement, and voilà, an observer would never know. It's inventive Cage and it's priceless. And you won't find many in the real drug world as good at it.
The supporting cast is excellent, although I must admit I did forget Val Kilmer was even it at times.The texture, the interwoven story lines, the camera work. All superb. It's a Tarrantino film with a Herzog touch. Ask yourself, how many interrogation rooms have you seen on television and in movies? Any of them have windows with traffic outside? Probably not. Good touch and the film has dozens of them.As for the iguanas and dancing mobster. These are apparitions folks. You know, born of the effects of all those drugs on the brain. They are not symbolic. They are not misguided touches of the bizarre (well, maybe they are a bit). They are the demons of a drug soaked mind and of course they are all of of proportion. That's what demons do! Very entertaining. You want more? Read a book.
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Seen at the Toronto International Film Festival Sept 17, 2009.First off it is important to note that the Bad Lieutenant name was imposed by producer Edward Pressman in the hopes of building a future franchise. As Herzog said, a better franchise would be based on his title Port of Call New Orleans. The combined title is a compromise which Werner Herzog was willing to agree to.Herzog was fun as always at the introductory remarks and the Q&A with TIFF programmer Colin Geddes. Telling anecdotes such as Cage asking him on the 2nd day of shooting what is his motivation and Herzog telling him not to worry about that, just go with "Evil is bliss" and sometimes "let the pig out!" (from the Bavarian colloquialism "Die Sau rauslassen!" / "Las die Sau raus!").
I'll confess that I had my doubts about this one simply based on the BLt title alone, imagining that this was going to be some sort of embarrassing sequel that has been imposed on Herzog for some bizarre contractual obligation reason. Have no fear about that! This is a Herzog movie and a Nicolas Cage on-a-rampage movie with all that those both imply. Even if certain clichés of the genre are adhered to (the prostitute girlfriend, the father who is an ex-cop now "drinking himself to death", etc.) these end up having totally different plot resolutions than you'd expect.
Cage's second scene confronting the matron lady and her hairdresser alone is worth the price of admission. I know they don't give Oscars for roles like this (actually, maybe for Denzel they did) but this is the best Nicholas Cage I've seen in years.Comment at the Q&A "I have seen 20 movies at this festival, and this is the most entertaining of all of them!" I couldn't agree more (and BLt:PoCNO was my 22nd). BLt:PoCNO rocks and Herzog rules! Seen at the Elgin Theatre/VISA Screening Room, the 2nd screening of 3 at TIFF 2009.
*
This movie is filled with humor and turns, it's jazzy and entertaining but not that similar to Abel Ferrara's 1992 story, in spite of the title. It features a wonderful and very much involved performance from Nicholas Cage, a lot of very black humor and gets to develop a strong pessimism. The story is appropriately set in New Orleans (during the Hurricane Katrina's aftermath) and mainly shows what occurs to good people when bad people prosper. Nicholas Cage aside, Val Kilmer doesn't probably manages to do much, but Mendes and Dourif deliver convincing performances. Abel Ferrara's "Bad Lieutenant" was a dirty depiction of a strongly damaged detective (played by Harvey Keitel), where, leaving from the illusions of a drug-induced cop, ended up involving a lot of Catholic guilt. Here there's more action and humor than that stuff, not that the movie is shallow but probably it's just a bit more unpretentious.
*
One of Nicolas Cage's best performances. Extremely impressive. Didn't know this movie existed until it showed up on Encore and was it ever worth watching. Herzog and Cage give us a character that I both identified with and hated. The script is brilliant and has no correlation with the earlier movie which starred Harvey Keitel. It is an original which stands on its own. The plot is complex. Cage's character, Sargant Terence McDonagh, is established immediately as capable of heroic acts and is promoted to lieutenant. We learn that McDonagh is not all good guy in stages. First we learn about the drug addictions and later about the gambling addiction. This is one of those movies which will be recognized for its true brilliance about 30 years from now, like Scarface is now.
Sites externes(fin)
Cold turkey
*
Critique publiée par Tonton_Paso le 28 juin 2010
Nicolas Cage est flic, et il a mal au dos. Du coup il prend de la coke et ça lui réussit moyennement : en totale roue libre, le malheureux roule des yeux, voit des iguanes qui chantent le blues et des fantômes qui dansent le hip-hop. Il agresse les vieilles dames et fait ami-ami avec le principal suspect du crime sur lequel il enquête. Relecture post-apo — le film se passe à la Nouvelle-Orleans après le passage de Katrina —, burlesque et animalière du Bad Lieutenant un poil moins LOL de Ferrara, Escale à la Nouvelle-Orléans marque le retour en grâce de Cage — cabotin génial — et de Herzog qui, paraît-il, n'a jamais vu l'original — ça tombe bien, moi non plus.
Jennifer Coolidge : Genevieve...elle aime la bière
Critique publiée par dillinger0508 le 17 novembre 2010
Le scénario part dans tous les sens, on ne sait jamais vraiment quand ça va s'arrêter ... pour notre plus grand bonheur! Nicolas Cage surjoue un peu et c'est tant mieux. Alors que Gilliam dans LasVagas Parano rendait les scènes de défonce lourdes, Herzog en fait des moments d'anthologie en filmant de très près des iguanes et autres bébés crocodiles. Des moments très excitants !