Š-DR-L'ETE MEURTRIER de Jean Becker (1983) p12

20/01/2015 17:44 par tellurikwaves

http://www.imdb.com/title/tt0086655/reviews?ref_=ttexst_ql_op_3

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Aussi sûr que je suis vivante, je riverai son âme

It is high summer in the south of France. and one family's peace is about to be disturbed by Eliane, a young woman with revenge on her mind.

Isabelle Adjani was 28 and already a star when she played Eliane, the scheming minx who dominates the film. Eliane is a wild child, disturbed, bitchy and alluring by turns. She has in mind a grand plan of revenge against the people whom she holds responsible for the rape of her mother. However, events take an unexpected turn ...

This is a story saturated in, and powered by, sex. Eliane is obsessed by the violent rape of her mother back in 1955, the very incident which spawned her. In a real sense, her whole existence is given meaning by the rape. She is an extremely attractive girl, and she uses sex to get what she wants, and particularly to advance her designs of vengeance.

Pin Pon (Alain Souchon) is a decent, simple man. His family, the Montecciari, are proud of their Italian descent. In their barn stands the barrel organ which played "Roses of Picardy" during the rape, and this Italian organ-grinder's instrument becomes for Eliane the symbol of her sense of injustice. She schemes to entrap Pin Pon into marrying her, in order to get close to the family's bosom.

From the early scene in which Pin Pon emerges from under a car on a mechanic's trolley to find himself looking up Eliane's tiny diaphanous skirt, we know that he is an innocent dupe and that she is a pouting, dangerous little madam. It quickly becomes obvious that she is also unstable. Her behaviour in the restaurant embarrasses Pin Pon and her relationship with her mother is difficult and quasi-sexual. At times she regresses into a child-like vulnerability, and at others she is wantonly malicious and unruly.

The narration of the story switches between the characters in a natural and convincing way. Eliane's relationship with the deaf Costagna (Suzanne Flon) is sensitively portrayed. Eliane is the only one whom the deaf woman can understand, because she whispers. The deaf old fool sees more clearly than the others what Eliane is about.

To manipulate Pin Pon into marriage, Eliane pretends to be 'expecting'. Once again, sex is being used to avenge sex, the product of the unlooked-for pregnancy is exploiting her own imaginary pregnancy to settle the score. She takes particular delight in antagonising Pin Pon's stiff, correct mother (Jenny Cleve). The wedding is marred when Eliane unaccountably vanishes - another slight inflicted on the Montecciari, and a mirroring of the baby's 'disappearance'.

The key to the complex plot is Eliane's traumatic relationship with her father, played by Michel Galabru. Just as Eliane is not really an expectant mother, so M. Devigne is not really a father. There is a sexual element in the bond of affection, at least in Eliane's unbalanced mind, and a colossal burden of guilt.

If the men in the truck hadn't taken a wrong turning on that November night in 1955, or if the German girl hadn't been displaced by the war, or the Italians hadn't chosen to settle in the Vaucluse ... There is a sense in which the accidental intermingling of nationalities has caused this disruption in the life of the sleepy provencal village. And now, twenty years on, the potent mixture is reaching critical mass.

*
 

One Deadly Summer is an astonishing French drama whose best quality is quite simple- you don't know what will happen next. As soon as the plot appears to be sorting itself out, something else happens which changes what we are expecting .Also, the film itself changes several times.Initially it seems to be a love story with some strange elements.Then the film appears to be becoming one of those rape/revenge thrillers, such as Angel Of Vengeance, I Spit On Your Grave, than suddenly things change and it becomes more of a very dark family drama, culminating in an emotionally exhausting dialogue scene between the female protagonist and her father. Despite all this the film does not seem disjointed or muddled.

At the film's core is an amazing performance by the brilliant Isabel Adjani, who like Monica Belucci manages something beyond the grasp of most American actresses, that of being incredibly sexy and being a superb actress. Her performance is truly heartfelt, sometimes extremely subtle, and sometimes truly barnstorming, but appropriately so. Director Jean Becker is not afraid to be innovative ,such as having different characters narrate bits of the film, and does a superb job of sequences like a flashback rape scene, which leaves the majority of that happens to the imagination yet still somehow gives some idea of the horror.

There is the odd unexplained aspect ,and the film does seem to be building to action which does not really occur, although the cynical, downbeat ending is really entirely appropriate. Despite all this, there is quite a bit of humour in the film which does not detract at all from it's power. A Hollywood remake would cut out most of the first hour- yes, the pace is slow but the gradual building of tension and detail is nothing short of masterful- and add a happier or at least more 'resolved' ending.In that case,maybe it's a good thing this shattering film is not better known.

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Author: FilmCriticLalitRao from FIPRESCI/Cinema of the world
7 August 2007

L'Ete Meurtrier is a compelling tale of vengeance which will surely appeal to all aficionados of thriller genre.Jean Becker embarked on a cinematic path wholly different in content as well as structure from the one taken by his legendary father Jacques Becker.There is a prevalent aspect of revenge running throughout all his films.L'Ete Meurtrier varies its tone and narrative style at regular intervals.It starts as an erotic drama and transforms itself into an agreeable account of retribution.Eliane takes cruel revenge when she learns that her birth was the fruit of her mother's brutal rape.Isabelle Adjani regretted having refused to do certain nude scenes in Luis Bunuel's renowned "Cet obscur objet du desir".This film gave her a chance to display all her erotic charms.She strips over and over again which boosted the film's Box Office success.L'Ete Meurtrier which won 4 Cesars in 1983 was fully dominated by Isabelle Adjani whose presence eclipsed all expectations.

Author: texaustin from United Kingdom
14 February 2006

L'Ete Meurtrier is a very complex, cleverly constructed film, well acted, written and directed. For me, one of the cleverest features is the fact that a number of characters take their turn at narration.Although Adjani puts in a very good performance, in my opinion the best performance is by Suzanne Flon, who plays the pivotal role of Cognata.

The flashback scenes are not wholly convincing for me - they do not even begin to suggest that the action is taking place twenty years previously.Perhaps my favourite scene, is the one where Eliane sits outside her father's locked door and cries "tu est mon pere!" - this scene is well acted by Adjani - the viewer can almost feel her anguish.

Overall, an excellent film which can be watched over and over again. In fact, one needs to watch it a few times to appreciate all the twists and turns in the plot.

*

Author: Sindre Kaspersen from Norway
2 February 2012

French actor, screenwriter and director Jean Becker's fifth feature film is an adaptation of a novel from 1977 by French director, screenwriter and author Sébastien Raprisot (1931-2003) who wrote the screenplay for the film. It premiered In competition at the 36th Cannes International Film Festival in 1983, was shot on various locations in France and is a French production which was produced by producer Christine Beytout. It tells the story about a flirtatious and ambiguous nineteen-year-old woman named Eliane Wieck who one hot summer returns to her hometown in provincial France with her German mother and handicapped father. Eliane's provocative behaviour makes everyone in town notice her and causes suspiciousness amongst the inhabitants, but one day she is approached by a nice local car mechanic named Fiorimonti who immediately falls in love with her, and a relationship begins to evolve.

Finely and engagingly directed by French filmmaker Jean Becker, this finely tuned fictional tale which is narrated by Alain Souchon and mostly from his and the female protagonist's viewpoints, draws an intriguing and multifaceted portrayal of a traumatized and truth-seeking young woman who puts on a facade, acting like a poorly raised child, in order to find the truth about her past. While notable for it's warm and bright countryside milieu depictions, sterling cinematography by cinematographer Etienne Becker, production design by production designer Jean-Claude Gallouin and costume design by costume designer Therese Ripaud, this character-driven story about family relations, vengeance and love, depicts a dark study of character and contains a cryptic and efficient score by French composer Georges Delerue.

This thoroughly written thriller and plot-twisting psychological drama from the early 1980s where a French stranger makes her presence known, is impelled and reinforced by it's engaging literary narrative structure, substantial character development, subtle continuity, strong contrasts, impending atmosphere, French actress Isabelle Adjani's prominent acting performance as a bewitching femme fatale in a very complicated role and the fine acting performances by French actor Alain Souchon and French actress Suzanne Flon (1918-2005). An unsettling and diversely romantic mystery which gained the award for Best Actress Isabelle Adjani, Best Supporting actress Suzanne Flon, Best Editing and Best Writing - Adaptation at the 9th César Awards in 1984 and was nominated for the Palme d'Or at the 36th Cannes Film Festival in 1983.

*

Author: Ankur Mukherjee from India
2 January 2012

French cinema yet once again proved its brilliance through this tiny masterpiece. The film was to be described in one word, it would be 'Unpredictable', you never know what will be the next thing or what will be the next intention of a character will be. 'One deadly summer' is a film about characters you may or may not be familiar with in real life but you certainly will believe them. Isabelle Adjani is very precise and shines with excellence in her role, she gives one of her very best performances here. Alain Sounchon delivers a remarkable performance, and the chemistry between these two are beyond words. The film oozes with mystery every moment, though having situations very believable and genuine and the characters development is so strong, so deep, that you will be forced to see every situation from their individual perspectives. A film to look out for. Simply one of those few fine European films you cannot afford to avoid, undoubtedly a 9.8 out of 10!

*

Author: runamokprods from US
27 December 2011

More an Intelligent drama, with some violent overtones more than the "thriller" it's packaged as. This has more in common with "Rashomon" than with the latest slick action movie out of Hollywood.Isabelle Adjani plays a young woman unhinged by the knowledge of her mother's brutal rape by 3 men years earlier, and she has built her life around seeking revenge. The film's most striking aspect is the use of multiple switching narrators, so we see the tale unfold from several points of view.

Adjani, as always, has a tremendous emotional rawness, but for me the performance (and the writing) wears its heart a little too much on it's sleeve. I wish she wasn't so clearly crazy much of the time. Or that more people seemed to notice just how blatantly manipulative her behavior is.The pace is very slow, which worked a lot of the time, but I did find myself frustrated at moments.

But all that said, this is an interesting experiment in telling a complex story, with strong performances all around. And if it occasionally falls into melodrama, it also is full of moments that are disturbing, moving and shocking.

*

Author: brunoabp from Hamburg, Germany
10 October 2009

It seems incredible, but I only got to see this picture 26 years after its release. A surprising plot that, at first, seems just like any other we would have already seen on screen. Allthou later it reveals itself to be full of surprises. Isabelle Adjani is at her peak of beauty and talent.

One thing was always on my mind while watching her figure and style. It seems as if the director Jean Becker had based her image on one of Milo Manara's characters. Adjani's body lines and her face were a form of inspiration for one of these two artists.An absolute "must see".

*

Author: gridoon
11 September 2002

Isabelle Adjani gives a brilliant, instinctive performance (and she also has several showstopping nude scenes, I might add) as an animalistic, untamed young sexpot who seeks vengeance on the three men that raped her mother 20 years ago. In the first few minutes, the film seems a bit confusing and pointless, but gradually reveals itself to be a multi-layered story with quite a few twists along the way. "One Deadly Summer" deserves more attention (but is difficult to find). (***)

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L'été Meurtrier, written by Sebastien Japrisot, is definitely one of the best book I've ever read. I think I've read it something like 20 times or so. The plot is absolutely outstanding. But in comparison the movie is very disappointing. What a shame to do such a crap from a so nice and deep story. The director, Jean Becker, is poor. The budget is obviously low. The original story has been chopped a lot, which makes the plot difficult to understand. And the ending is disastrous compared to the real one of the book. On the other hand, the acting is not so bad, but not great. I cannot stand seeing an actress crying a lot without seeing a single tear coming from her eyes. It sounds false. Average American actress can do far better. But still. The brute force of the underlying drama hidden behind the plot is so strong, so great, that even if the movie is poor it still worth seeing. But don't expect more. It is like listening a Mozart piece played by a garage band.

*** SPOILERS *** *** SPOILERS ***

What looks at first to be a light and insipid romantic comedy turns out to be one of the greatest psychological thriller never imagined by a human being: Eliane, a young, pretty and egocentric woman approaching her 20, is hiding a terrible secret that she accidentally learned from her parents when she was only 9. A secret that deeply traumatized her. She learned that her tenderly beloved father, for whom she had a very deep and close affection, was not her real father. First big emotional shock for her. But, as if it wasn't enough, she learned a much more cruel reality: her mother had been brutally beaten and raped by three men about 9 months before her birth... So, the apparent nutty beautiful girl newly arrived in a village located in the south of France is, in reality, a deeply deranged and potentially dangerous person who has just one thought: get an occasion to take revenge on the men who did this, with the crazy hope that by doing this, everything would vanish and she would recover the love and affection from and for her father.

But, psychologically, the problem is very complex because inside of her, she knows that her real father is one of the three men. And this crazy situation makes her suspicious about the nature of the love the other father gave to her... Was it a "normal love" given by a father to his daughter or was it something else? Something evil... These unbearable thoughts (which were not completely wrong and not completely true, by the way) drove her crazy: when she got 14, and following a strange incident involving her (foster) father, she grabbed a blunt object and hit him repeatedly to the head so the man became paraplegic. Immediately afterwards, she became remorseful and even more affected.

But who were the aggressors? Her mother didn't know them. And because the mother was coming from Germany, and reminiscences of the war were not so far yet, the couple decided at that time to keep the whole thing secret so no police investigation took place. The only clue: an automated piano, which was in the back of their truck, with a golden "M" printed on the front, and playing always the same tune :Roses of Picardie.But in the course of her desperate quest, she will discover something new... Something that nobody could have imagined...

"I will be the judge and the jurors... I will prove you are guilty and I will condemn you to death".

Š-DR-L'ETE MEURTRIER de Jean Becker (1983) p11

20/01/2015 17:38 par tellurikwaves

Sites externes

Miscellaneous Sites

• Abandomoviez.net (Spanish)
• AllMovie
• BFI
• IMCDb.org: cars, bikes, trucks and other vehicles seen in this production
• moviepilot.de (German)
• moviepilot.de [German Top Critics]
• SoundtrackCollector - Soundtrack Information
• TCM
• Wikipedia
• Wikipedia (French)
• Women in Prison Films
• Zelluloid.de (German)
• zoom-Cinema.fr (French)

Photographs

• elFilm.com - Image Gallery
• Isabelle Adjani
• moviepilot.de - Photos
• Video.olympus.ru - Pictures
• zoom-Cinema.fr - Photo Gallery
• dvdbeaver.com - DVD Poster
• elFilm.com - Posters
• zoom-Cinema.fr - Posters

DR-L'ETE MEURTRIER de Jean Becker (1983) p10

20/01/2015 17:34 par tellurikwaves

Š-DR-L'ETE MEURTRIER de Jean Becker (1983) p9

20/01/2015 15:33 par tellurikwaves

Critique publiée par Nicolas Chaussoy le 17 juin 2013

 Elle est candide, pétillante, imprévisible, belle, une vraie lolita. Elle, c'est Eliane Wieck, le personnage interprétée par Isabelle Adjani. Au visionnage du film on imagine mal qui, mieux que l'actrice, aurait pu incarner ce rôle sulfureux. Valérie Kaprisky fut, un temps, envisagée face au refus d'Adjani, avant que celle ci ne change d'avis au dernier moment. L'évidence est là : sans elle le film aurait été tout autre, Jean Becker le savait, c'est pour ça qu'il n'a pensé qu'à elle pour le rôle.

La tension sexuelle qu'elle dégage est permanente, électrisante, ne pas tomber amoureux est difficile, le personnage de Souchon en fait l'amer(ère) l'expérience.Il représente d'ailleurs son antithèse. Elle est sauvage, il est tranquille, elle est bavarde, il est taiseux. Les dialogues entre eux sont vifs, passionnés, conflictuels, ils ont un goût d'improvisé.

L'amour est pourtant au rendez vous, Becker dissimule la tempête à venir par une introduction lumineuse, un esprit de campagne, un soleil permanent, on se croirait en train de regarder un téléfilm estival ou de lire un roman d'été. C'est justement le cas : L'été meurtrier est tiré d'un roman traitant d'un fait divers authentique. Certains changements ont été faits mais l'essence du livre est là : intrigues passionnelles, mystères familiaux, le drame tarde à s'exprimer (certaines longueurs) mais pointe le bout de son nez.

 Le cinéaste alterne les points de vues, les voix off, comme autant de narrateurs au cœur de son processus narratif. C'est long, on nous convainc néanmoins que c'est indispensable pour donner vie à l'ampleur dramaturgique voulu par Becker. L'été meurtrier s'emballe cependant trop tardivement, laissant la désagréable impression de se filmer le nombril, ou plutôt celui de son actrice vedette, qui est de tous les plans : en robe, nue (la plupart du temps) ou en pleurepleurs elle est de tous les états.

Elle crève cependant l'écran (césar de la meilleure actrice) et nous rappelle, par son interprétation, qu'elle grande actrice elle fait. Et dire qu'elle a failli refuser le rôle...

Š-DR-L'ETE MEURTRIER de Jean Becker (1983) p8

20/01/2015 15:20 par tellurikwaves

Š-DR-L'ETE MEURTRIER de Jean Becker (1983) p7

20/01/2015 15:15 par tellurikwaves

Flachebaque

*

Critique publiée par Lo. mel le 29 janvier 2011

Tiré du très bon roman de Sébastien Japrisot, L'été meurtrier est un excellent exemple d'adaptation cinématographique réussie.Ce film marque. Il m'a marqué adolescent, la première fois que je le voyais, et il m'a marqué en le revoyant des années plus tard. J'aime le regarder régulièrement..

 Le scénario ne se permet que quelques simplifications et ellipses par rapport au roman dont il est inspiré, il en conserve sa savoureuse complexité en s'affranchissant des détails que le passage à l'écran aurait rendu obscurs.

L'histoire se déroule dans un village provençal, pendant les années 70. Il s'y entremêle histoires de familles, vengeance, passion amoureuse pour un rendu étonnament réaliste, sans jamais tomber dans la niaiserie et la facilité.Ce film offre une caricature légère et ciselée de la vie d'un village ordinaire, où se côtoient avec plus ou moins de cordialité des personnages souvent hauts en couleurs.

Les personnages d'ailleurs, parlons-en. Les deux pilliers du film sont évidemment Florimond dit Pin-Pon, interprété par Alain Souchon et la jeune femme qu'il aime, surnommée "Elle", belle, superficielle, manipulatrice et torturée, rôle magistralement interprété par Isabelle Adjani.

Souchon naïf, passionné, déboussolé et touchant, dans ce rôle qui finalement, lui colle à la peau. Adjani joue juste, Adjani joue bien : son personnage, complexe, haïssable mais attachant, composé sans carence se voit sublimé par une prestation sans fausse note.

Drôle, malsain, émouvant, incomparable, ce film est à l'image de la passion qu'il décrit.Un film populaire, mais un excellent film populaire qui n'a à souffrir d'aucun complexe.À voir absolument, si ce n'est déjà fait.

Š-DR-L'ETE MEURTRIER de Jean Becker (1983) p6

20/01/2015 15:06 par tellurikwaves

Š-DR-L'ETE MEURTRIER de Jean Becker (1983) p5

20/01/2015 09:36 par tellurikwaves

Š-DR-L'ETE MEURTRIER de Jean Becker (1983) p4

20/01/2015 09:26 par tellurikwaves

SENS CRITIQUE

Š-DR-L'ETE MEURTRIER de Jean Becker (1983) p3

20/01/2015 09:20 par tellurikwaves