©-DR- AU BOUT DU TUNNEL de Rodrigo Grande ( 2016) p 3
11/11/2018 01:25 par tellurikwaves
©-DR- AU BOUT DU TUNNEL de Rodrigo Grande ( 2016) p 3
11/11/2018 01:25 par tellurikwaves
Clara Lago : Berta
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Fiche technique
- Titre original : Al final del túnel
- Titre français : Au bout du tunnel
- Réalisation : Rodrigo Grande
- Scénario : Rodrigo Grande
- Musique : Lucio Godoy, Federico Jusid
- Genre : Thriller, film de casse
- Durée : 120 minutes
- Dates de sortie :
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©-DR- AU BOUT DU TUNNEL de Rodrigo Grande( 2016)
10/11/2018 00:51 par tellurikwaves
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©-DR- AU BOUT DU TUNNEL de Rodrigo Grande( 2016)
10/11/2018 00:51 par tellurikwaves
Au bout du tunnel
est un film argentino-espagnol réalisé par Rodrigo Grande, sorti en 2016.
Joaquín, un ingénieur en informatique paraplégique vit une existence solitaire chez lui et passe son temps sur ses ordinateurs, dans le sous-sol de sa maison. Un jour lors d'une écoute à travers le mur, il entend des voix, il va rapidement comprendre que des cambrioleurs sont tout juste en train de préparer un gros casse...
©-DR- DOCTOR STRANGE de Scott Derrickson ( 2016) fin
01/11/2018 04:39 par tellurikwaves
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©-DR- DOCTOR STRANGE de Scott Derrickson ( 2016) fin
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Awards
Academy Awards, USA 2017
| Nominee Oscar |
Best Achievement in Visual Effects Stephane Ceretti Richard Bluff Vincent Cirelli Paul Corbould |
BAFTA Awards 2017
| Nominee BAFTA Film Award |
Best Production Design John Bush Charles Wood |
| Best Make Up/Hair Jeremy Woodhead |
|
| Best Achievement in Special Visual Effects Richard Bluff Stephane Ceretti Paul Corbould Jonathan Fawkner |
Screen Actors Guild Awards 2017
Academy of Science Fiction, Fantasy & Horror Films, USA 2017
| Winner Saturn Award |
Best Comic-to-Film Motion Picture |
| Best Supporting Actress Tilda Swinton |
|
| Nominee Saturn Award |
Best Director Scott Derrickson |
| Best Writing Jon Spaihts Scott Derrickson C. Robert Cargill |
|
| Best Actor Benedict Cumberbatch |
|
| Best Music Michael Giacchino |
|
| Best Production Design Charles Wood |
|
| Best Costume Design Alexandra Byrne |
|
| Best Make-Up Jeremy Woodhead |
|
| Best Special Effects Stephane Ceretti Richard Bluff Vincent Cirelli |
All Def Movie Awards 2017
| Winner All Def Movie Award |
Most Out of Place White Person in a Movie Tilda Swinton |
Annie Awards 2017
| Winner Annie |
Outstanding Achievement in Animated Effects in a Live Action Production Georg Kaltenbrunner Mike Marcuzzi Thomas Bevan Andrew Graham Ji Hyun Yoon |
Art Directors Guild 2017
| Nominee Excellence in Production Design Award |
Fantasy Film Charles Wood (production designer) Ray Chan (supervising art director) Julian Ashby (art director) Thomas Brown (art director) Jim Barr (art director) Jordan Crockett (art director) Mike Stallion (art director) Mark Swain (art director) Alex Bowens (assistant art director) Sarah Ginn (assistant art director) Rhys Ifan (assistant art director) Gary Jopling (assistant art director) Alex Smith (assistant art director) Luke Whitelock (assistant art director) Julia Dehoff (assistant art director) Emma Vane (assistant art director) Peter James (standby art director) Yasmin Al-Naib (assistant standby art director) Tara Ilsley (digital set designer) Charles Szczech (digital set designer) Stephen Wong (3D set designer) Dominique Pace (draughtsperson) Daniel Swingler (draughtsperson) Isona Rigau (draughtsperson) Alexandra Toomey (draughtsperson) Aoife Warren (draughtsperson) Alison Clements (junior draughtsperson) Claire Shakespeare (junior draughtsperson) Alasdair McKay (lead modeler) Diego de Lajonquiere (assistant modeler) Richard Usher (assistant modeler) Bryan Andrews (storyboard artist) Federico D'Alessandro (storyboard artist) Darrin Denlinger (storyboard artist) Catherine Devaney (storyboard artist) David Krentz (storyboard artist) Nick Pelham (storyboard artist) Roberto Fernández Castro (concept artist) Paul Catling (concept artist) Paul Chandler (concept artist) Bob Cheshire (concept artist) Tim Hill (concept artist) Jon McCoy (concept artist) Olivier Pron (concept artist) Pete Thompson (concept artist) Kaush Bharti (graphic designer) Helen Koutas (graphic designer) Alan Payne (graphic designer) Chris Tooth (graphic designer) Karla Ortiz (visual development concept artist) Wesley Burt (visual development concept artist) Ryan Lang (visual development concept artist) Andy Park (visual development concept illustration) Rodney Fuentebella (visual development concept illustration) Jackson Sze (visual development concept illustration) Anthony Francisco (visual development concept illustration) Alexander Mandradjiev (visual development concept illustration) Jerad Marantz (visual development concept illustration) Josh Nizzi (visual development concept illustration) John Bush (set decorator) |
ASCAP Film and Television Music Awards 2017
| Winner ASCAP Award |
Top Box Office Films Michael Giacchino |
Australian Academy of Cinema and Television Arts (AACTA) Awards 2017
| Nominee AACTA Award |
Best Visual Effects or Animation Brendan Seals Steven Swanson Raphael A. Pimentel Andrew Zink |
Awards Circuit Community Awards 2016
| Nominee ACCA |
Best Visual Effects Stephane Ceretti Richard Bluff Vincent Cirelli Paul Corbould |
Broadcast Film Critics Association Awards 2016
| Nominee Critics Choice Award |
Best Hair & Makeup |
| Best Visual Effects | |
| Best Action Movie | |
| Best Actor in an Action Movie Benedict Cumberbatch |
|
| Best Actress in an Action Movie Tilda Swinton |
|
| Best Sci-Fi/Horror Movie |
Cinema Audio Society, USA 2017
| Nominee C.A.S. Award |
Outstanding Achievement in Sound Mixing for Motion Pictures - Live Action John Midgley (production mixer) Tom Johnson (re-recording mixer) Juan Peralta (re-recording mixer) Peter Cobbin (scoring mixer) Doc Kane (adr mixer) Scott Curtis (foley mixer) |
Costume Designers Guild Awards 2017
| Winner CDG Award |
Excellence in Fantasy Film Alexandra Byrne |
Denver Film Critics Society 2017
| Winner DFCS Award |
Best Visual Effects |
| Nominee DFCS Award |
Best Science-Fiction/Horror Film |
Empire Awards, UK 2017
| Winner Empire Award |
Best Visual Effects Marvel Studios Walt Disney Studios Motion Pictures |
| Nominee Empire Award |
Best Actor Benedict Cumberbatch |
| Best Sci-Fi/Fantasy Marvel Studios Walt Disney Studios Motion Pictures |
|
| Best Costume Design Marvel Studios Walt Disney Studios Motion Pictures |
|
| Best Production Design Marvel Studios Walt Disney Studios Motion Pictures |
Florida Film Critics Circle Awards 2016
| Nominee FFCC Award |
Best Visual Effects |
Gold Derby Awards 2017
| Nominee Gold Derby Award |
Visual Effects Stephane Ceretti Richard Bluff Vincent Cirelli Paul Corbould |
Golden Schmoes Awards 2016
| Winner Golden Schmoes |
Trippiest Movie of the Year |
| Best Special Effects of the Year |
Golden Trailer Awards 2017
| Winner Golden Trailer |
Best Fantasy/Adventure TV Spot Walt Disney Pictures Trailer Park |
| Best Wildposts Walt Disney Studios |
|
| Nominee Golden Trailer |
Best Fantasy Adventure Marvel Productions mOcean |
| Best Action TV Spot Walt Disney Productions Aspect |
|
| Best Billboard Walt Disney Productions |
|
| Best International Poster Walt Disney Studios |
Hawaii Film Critics Society 2017
| Winner HFCS Award |
Best Visual Effects Tied with Premier contact (2016).
|
Hollywood Film Awards 2016
| Winner Hollywood Film Award |
Visual Effects of the Year Stephane Ceretti Richard Bluff |
Hollywood Makeup Artist and Hair Stylist Guild Awards 2017
| Nominee Artisan |
Best Period and/or Character Makeup - Feature-Length Motion Picture Jeremy Woodhead |
| Best Special Makeup Effects - Feature-Length Motion Picture Jeremy Woodhead |
Hollywood Music In Media Awards (HMMA) 2016
| Nominee HMMA Award |
Best Original Score - Sci-Fi/Fantasy Film Michael Giacchino |
Hollywood Post Alliance, US 2017
| Nominee HPA Awards |
Outstanding Sound - Feature Film Shannon Mills (supervising sound editor) Daniel Laurie (supervising sound editor) Tom Johnson (re-recording mixer) Juan Peralta (re-recording mixer) Skywalker Sound |
| Outstanding Color Grading - Feature Film Steven J. Scott Technicolor |
Houston Film Critics Society Awards 2017
| Nominee Technical Achievement |
Visual Effects
|
IGN Summer Movie Awards 2016
| Winner IGN People's Choice Award |
Best Visual Effects |
| Nominee IGN Award |
Best Action Movie |
| Best Visual Effects |
International Film Music Critics Award (IFMCA) 2017
| Nominee IFMCA Award |
Best Original Score for a Fantasy/Science Fiction/Horror Film Michael Giacchino |
| Film Music Composition of the Year Michael Giacchino Track: "The Master of the Mystic End Credits"
|
International Online Cinema Awards (INOCA) 2017
| Nominee INOCA |
Best Visual Effects Stephane Ceretti Richard Bluff Vincent Cirelli Paul Corbould |
Las Vegas Film Critics Society Awards 2016
| Nominee Sierra Award |
Best Visual Effects |
| Best Action Film |
Motion Picture Sound Editors, USA 2017
| Nominee Golden Reel Award |
Best Sound Editing - Sound Effects and Foley in a Feature Film Shannon Mills (supervising sound editor) Daniel Laurie (supervising sound editor) Ryan J. Frias (foley editor) Steve Orlando (foley editor) Nia Hansen (sound designer) David C. Hughes (sound designer) Josh Gold (sound effects editor) J.R. Grubbs (sound effects editor) David Chrastka (sound effects editor) John Roesch (foley artist) Shelley Roden (foley artist) |
| Best Sound Editing - Music in a Feature Film Steve Durkee (supervising music editor) Stephen M. Davis (music editor) Nashia Wachsman (music editor) Warren Brown (music editor) Anele Onyekwere (music editor) |
North Carolina Film Critics Association 2017
| Winner NCFCA Award |
Best Special Effects |
People's Choice Awards, USA 2017
| Nominee People's Choice Award |
Favorite Year End Blockbuster |
Phoenix Film Critics Society Awards 2016
| Winner PFCS Award |
Best Visual Effects |
Rondo Hatton Classic Horror Awards 2016
| Nominee Rondo Statuette |
Best Movie |
San Diego Film Critics Society Awards 2016
| Nominee SDFCS Award |
Best Visual Effects |
Satellite Awards 2016
| Nominee Satellite Award |
Best Visual Effects Stephane Ceretti Paul Corbould Richard Bluff Vincent Cirelli |
| Best Costume Design Alexandra Byrne |
Seattle Film Critics Awards 2017
| Winner Seattle Film Critics Award |
Best Visual Effects Stephane Ceretti Paul Corbould Richard Bluff Vincent Cirelli Tied with Louis Morin for Premier contact (2016).
|
St. Louis Film Critics Association, US 2016
| Nominee SLFCA Award |
Best Horror/Sci-Fi Film |
| Best Visual Effects Stephane Ceretti Paul Corbould Richard Bluff Vincent Cirelli |
|
| Best Action Film |
Teen Choice Awards 2017
| Nominee Teen Choice Award |
Choice Movie: Fantasy Walt Disney Pictures |
| Choice Movie Actor: Fantasy Benedict Cumberbatch |
|
| Choice Movie Actress: Fantasy Rachel McAdams |
Visual Effects Society Awards 2017
| Winner VES Award |
Outstanding Created Environment in a Photoreal Feature Adam Watkins Martijn van Herk Tim Belsher Jonathan Mitchell New York City
|
| Nominee VES Award |
Outstanding Visual Effects in a Photoreal Feature Stephane Ceretti Susan Pickett Richard Bluff Vincent Cirelli Paul Corbould |
| Outstanding Created Environment in a Photoreal Feature Brendan Seals Raphael A. Pimentel Andrew Zink Gregory Ng London
|
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| Outstanding Virtual Cinematography in a Photoreal Project Landis R. Fields IV Mathew Cowie Frederic Medioni Faraz Hameed New York Mirror Dimension
|
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| Outstanding Effects Simulations in a Photoreal Feature Florian Witzel Georges Nakhle Azhul Mohamed David Kirchner Hong Kong Reverse Destruction
|
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| Outstanding Compositing in a Photoreal Feature Matthew Lane Jose Fernández de Castro Ziad Shureih Amy Shepard New York City
|
Zulu Awards 2017
| Winner Zulu |
Best Actor (Årets danske skuespiller) Mads Mikkelsen |
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Trivia
Rachel McAdams' startled reaction in the broom closet was genuine, since the mop handle fell completely by accident, and scared McAdams almost out of her skin. Scott Derrickson decided to keep the reaction in the film, since she never broke character.
The scene where the Cloak of Levitation wipes away Strange's tears was improvised on set. It was a suggestion Benedict Cumberbatch made to the crew, who liked it enough to create it.
Benedict Cumberbatch was the first choice and was offered the lead role of Stephen Strange, but he initially had to decline due to his theater commitments playing Shakespeare's Hamlet, which clashed with the film's proposed shooting date. When the release date was pushed back from July 2016 to November 2016, he was able to commit to shooting. Joaquin Phoenix was the studio's second choice for the lead role but, after a few months of deliberation, eventually turned down the offer due to his reluctance to do a multi-picture deal that was required by the studio if he signed on.
While filming, Benedict Cumberbatch walked into a comic book store, in full costume, and bought an actual Doctor Strange comic.
Director Scott Derrickson is a big fan of Doctor Strange, and spent his own money on a concept video he pitched to Marvel so that he could get the job of directing the film.
Doctor Strange's creators, Stan Lee and Steve Ditko, based his appearance on Hollywood actor Vincent Price. The character even bears the middle name of Vincent.
Although this is Doctor Strange's first outing in an MCU solo movie, the character has been teased in earlier movies. In Thor (2011); the Orb of Agamotto can be seen among the treasures in Odin's treasure chamber. In Thor: Le monde des ténèbres (2013), the Crossroads is among the various phrases written on Selvig's chalkboard; the Crossroads is an other-dimensional reality that has a prominent role in the "Doctor Strange" comics. In Captain America: Le soldat de l'hiver (2014), Jasper Sitwell mentions Stephen Strange as one of the high-risk targets that HYDRA keeps under surveillance.
Mads Mikkelsen admitted that with all the computer-generated imagery he got a bit lost on how to film his scenes, especially during the Mirror Dimension scenes.
Benedict Cumberbatch received help with finger-tutting movements from dancer Jayfunk, to make the spell-casting gestures look fluid and agile.
In designing the Eye of Agamotto, creator of Dr. Strange Steve Ditko drew inspiration from the real world charm The All Seeing Eye of the Buddha, known among the Buddhists as The Amulet of Snail Martyrs, a Nepali symbol meant to protect its wearer from evil.
Tilda Swinton's children were crew members on the film. Her daughter worked in the costume department and her son in the art department designing planets.
Benedict Cumberbatch states that the spiritualism of Doctor Strange is what appeals to him the most about the role. "I'm very excited about that spiritual dimension. It's something that's been a huge part of my life. I meditate a lot, that's a huge tool in trying to calm myself, get away from the crazy circus of it all, have a focused mind as well as be a kinder, considerate person in the world," said Cumberbatch.
Near the start of the movie when there is a wide shot of the Manhattan skyline, Tony Stark's Avengers building can be seen.
In the comics, Stephen Strange had a younger sister named Donna, who died when he was young, and motivated him into becoming a doctor. Lulu Wilson was cast as Donna in the film and shot some scenes, but they were cut out for running time purposes.
Due to the popularity of the Marvel films, Rachel McAdams had a change of stance and became interested in appearing in any of the MCU films. Unknowingly, she was the first choice for the role of Christine. McAdams was also previously approached by Jon Favreau as the first choice to play Pepper Potts in Iron Man (2008) but she declined.
Astrophysicist Adam Frank served as a science consultant on the film, to advise on how to portray changes in the human experience of space and time. Frank also helped Marvel conceive their ideas for the multiverse, as well as suggest dialogue and belief stances for the characters.
The filmmakers defined the use of magic as dimensional travelling and shifting. "We didn't want magic to simply be people throwing and blocking bolts of lightning; this is the ability to tap into different dimensions and pull aspects of those dimensions into our realm."
Chiwetel Ejiofor is a 5th Degree Black Belt in karate, so his movements are second nature in fighting.
Scott Derrickson admitted that the MCU films dedicate little time to developing antagonists, so he just hoped to show Kaecilius's point of view, describing the character as a "villain of ideas with watertight logic," like John Doe from Seven (1995).
The building number seen in the portal to New York City was 177A Bleecker Street, the location of the Sanctum Sanctorum. This is NOT a reference to Sherlock Holmes' (whom Benedict Cumberbatch also portrays) traditional residence, 221B Baker street. It is actually the address of a townhouse apartment shared by Marvel comic book writers Gary Friedrich and Roy Thomas in the 60s, the latter of whom wrote several Doctor Strange stories, though NOT the 1963 issue of Strange Tales that revealed the address as 177A Bleecker.
When Dr Strange begins to experiment with the Eye of Agamotto and the Time Spells in the Book of Cagliostro, the focus of his practice is an apple, symbolically the representation of Forbidden Knowledge.
Scott Derrickson wanted to feature the dream demon Nightmare and his world the Dream Dimension, but decided to save him for a sequel.
Originally, the film was to feature a prologue set in CERN (Conseil Européen pour la Recherche Nucléaire, aka the European Organization for Nuclear Research) and would feature a discussion on parallel dimensions. The filmmakers felt this was too scientific for a magic-based story, and removed it.
According to James Gunn, Stan Lee's cameo in the film is one of four Lee cameos that were filmed in one day. Gunn said that he filmed three, being this film, Guardians of the Galaxy: Volume 2 and another title that he did not reveal. Several one-liners with Lee were filmed and considered, but the one in the film was chosen by Scott Derrickson himself.
According to Kevin Feige, the concept of magic in the Marvel Cinematic Universe is inspired by Matrix (1999) and the fantasy works of Stanley Kubrick and Hayao Miyazaki. "Have you watched the Cosmos (1980) series? That's magic, the quantum physics. If somebody knew how to tap into that stuff, what's the difference between that and magic? You don't get into it in Harry Potter, but if a scientist went to Hogwarts, he'd find out how some of that stuff is happening! We're not going to spend a lot of time on it, but there will be some of that, particularly for a character like Doctor Strange, who goes from a man of science to a man of faith and who traverses both worlds. And sometimes there won't be an answer! Sometimes he'll want an answer--'How is this happening?'--and nothing," said Feige.
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à suivre...
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