©-DR-CHAMBRE AVEC VUE de James Ivory (1985) p29

12/05/2014 03:56 par tellurikwaves

  •     ©-DR-CHAMBRE AVEC VUE de James Ivory (1985)  p29

    ©-DR-CHAMBRE AVEC VUE de James Ivory (1985) p29

    12/05/2014 03:56 par tellurikwaves

©-DR-CHAMBRE AVEC VUE de James Ivory (1985) p28

12/05/2014 03:53 par tellurikwaves

  • ©-DR-CHAMBRE AVEC VUE de James Ivory (1985)  p28

    ©-DR-CHAMBRE AVEC VUE de James Ivory (1985) p28

    12/05/2014 03:53 par tellurikwaves

romantic and funny
9/10
Author: abbynyc from New York
1 April 2004

This movie made me go to Florence, Italy. And once I got there, they actually showed it every other night at the pensione I stayed in.Though set in Victorian times,it is reminiscent  of a Jane Austen novel- romantic and humorous, but more passionate. Characters are lovingly made fun of. The acting is wonderful. People you've seen elsewhere, but in unusual roles.

Helena Bonham Carter is the confused heroine, Maggie Smith plays her passive-aggressive aunt,you won't believe it's Daniel Day-Lewis playing the most irritating pompous man, Judi Dench is a gossipy romance novelist, Julian Sands is adorably weird, and the supporting characters are also wonderful. It's one of favorites.

©-DR-CHAMBRE AVEC VUE de James Ivory (1985) p27

12/05/2014 03:48 par tellurikwaves

  •     ©-DR-CHAMBRE AVEC VUE de James Ivory (1985)  p27

    ©-DR-CHAMBRE AVEC VUE de James Ivory (1985) p27

    12/05/2014 03:48 par tellurikwaves

©-DR-CHAMBRE AVEC VUE de James Ivory (1985) p26

12/05/2014 03:44 par tellurikwaves

  • ©-DR-CHAMBRE AVEC VUE de James Ivory (1985)  p26

    ©-DR-CHAMBRE AVEC VUE de James Ivory (1985) p26

    12/05/2014 03:44 par tellurikwaves

à gauche -Rupert Graves : Freddy Honeychurch

©-DR-CHAMBRE AVEC VUE de James Ivory (1985) p25

12/05/2014 03:37 par tellurikwaves

  •     ©-DR-CHAMBRE AVEC VUE de James Ivory (1985)  p25

    ©-DR-CHAMBRE AVEC VUE de James Ivory (1985) p25

    12/05/2014 03:37 par tellurikwaves

Edwardian love
Author: (victor7754@hotmail.com)
15 August 2004

A Room with a View possesses a fabulous cast, beautiful cinematography, an awesome adapted script, and a tale of oppressed desire during the paradigm shift from the repressive Victorian age to the more liberal Edwardian time. The film moves at a deliberate pace of country strolls and carriage rides filling the viewer with literary awakenings and music compositions. Poppies, barley, and Florence architecture decorate the screen.

The film is witty if anything with carefree individuals roaming about with leisure on their minds. Pure love and desire aches throughout and Italy is the place to bring the lovers together. It is a handsome picture. Detailed period pieces and costumes. The cast is phenomenal! Helena Bohnam Carter portrays the peevish Lucy Honeychurch on her way to becoming her prudish Cousin and chaperone, Charlotte Bartlett (The Great Maggie Smith.)

However The spirit of Italy will prevent such an occurrence and fill Miss Honeychurch with pure desire for George, the man who was brought up from the evils and hate of the world. The adaptation is superb. Fun. It is a film to live in and swim in the sacred lake. One of the best films of the 80's. Terrific!

©-DR-CHAMBRE AVEC VUE de James Ivory (1985) p24

11/05/2014 17:47 par tellurikwaves

  •     ©-DR-CHAMBRE AVEC VUE de James Ivory (1985)  p24

    ©-DR-CHAMBRE AVEC VUE de James Ivory (1985) p24

    11/05/2014 17:47 par tellurikwaves

Daniel Day-Lewis : Cecil Vyse

©-DR-CHAMBRE AVEC VUE de James Ivory (1985) p23

11/05/2014 17:39 par tellurikwaves

  •     ©-DR-CHAMBRE AVEC VUE de James Ivory (1985)  p23

    ©-DR-CHAMBRE AVEC VUE de James Ivory (1985) p23

    11/05/2014 17:39 par tellurikwaves

That rarest of great novel adaptations-- a film that's better than the book
10/10
Author: Jason Berkley (jdberkley@hotmail.com) from Chicago, Illinois
20 September 2002

No disrespect to the achingly elegant prose of E.M. Forster, but the last chapter of his novel simply cannot compare to this film's last shot, of a pair of lovers in a pensione in Florence, finally with their view of the Arno. As for the rest of this brilliant adaptation, it is populated with actors so perfectly cast it's as if they'd been invented for the roles-

Julian Sands as the Edwardian bohemian George Emerson,Helena Bonham-Carter,radiant as Lucy Honeychurch Denholm Elliott, once again stealing every scene he's in, and Daniel Day-Lewis as the priggish Cecil Vyse, in a performance so self-consciously stiff he looks as though he were taken off the cover of the New Yorker.

It's romantic, funny, stylish and impassioned. I first saw this film when it was released, and even at a young age, I knew I'd fallen in love. Twenty years later, I'm still in love with it.

©-DR-CHAMBRE AVEC VUE de James Ivory (1985) p22

11/05/2014 17:28 par tellurikwaves

  •     ©-DR-CHAMBRE AVEC VUE de James Ivory (1985)  p22

    ©-DR-CHAMBRE AVEC VUE de James Ivory (1985) p22

    11/05/2014 17:28 par tellurikwaves

©-DR-CHAMBRE AVEC VUE de James Ivory (1985) p21

11/05/2014 17:24 par tellurikwaves

  • ©-DR-CHAMBRE AVEC VUE de James Ivory (1985)  p21

    ©-DR-CHAMBRE AVEC VUE de James Ivory (1985) p21

    11/05/2014 17:24 par tellurikwaves

It's aging well
Author: pekinman from Illinois
20 December 2004

I have enjoyed 'A Room with a View' since it arrived on the scene in 1985. I have watched it many times and the video is wearing out and I fully intend to get the DVD of it soon. I saw it again the other night and am still charmed by it, in fact, I enjoyed it more than ever. Yes, it's a costume drama under glass, but it's a very well-done example of that popular genre. Films like this are greatly appealing to people like me who yearn for a gentler society and manners, though without the uptight staidness as exemplified by Aunt Charlotte (Maggie Smith) and Cecil Vyse (Daniel Day-Lewis). So this movie falls under the category of "comfort" film for me, and it is one of the very best.

Often Merchant/Ivory productions ring false ('Remains of the Day', for example), when they attempt to make a political statement; in that case regarding the under-current in Britain that led to the surprisingly popular British Union of Fascists created by Sir Oswald Mosley prior to WW2. But when James Ivory and his team stick to romance and the pretty manners of Edwardians, they are hard to beat.Of the performers, Julian Sands seems the most "improved" in my opinion from earlier viewings. He is wonderful as the Byronic lover and has a ton of chemistry with Helena Bonham-Carter's lovely, spicey Lucy Honeychurch. Daniel Day-Lewis's Cecil Vyse seems a bit more contrived as time passes but is in the end a touching portrayal of a type of man that I despise.

There isn't weak link in the entire cast. The Puccini arias and Beethoven piano sonatas are beautiful and enhance the story. The photography is gorgeous and the other technical aspects are flawless.This is the pinnacle of Merchant/Ivory films, I cannot imagine them producing anything better in the future, but who knows. They do seem to be in a cultural rut now, however.The fringe film crowd will probably descry this sort of populist cinema, but I think that is narrow-minded snobbery, as boorish as Cecil Vyse and his insufferable intolerance to "the plebians."

©-DR-CHAMBRE AVEC VUE de James Ivory (1985) p20

11/05/2014 13:50 par tellurikwaves

  • ©-DR-CHAMBRE AVEC VUE de James Ivory (1985)  p20

    ©-DR-CHAMBRE AVEC VUE de James Ivory (1985) p20

    11/05/2014 13:50 par tellurikwaves