©-DR-FORTUNAT d'Alex Joffé (1960) p19

02/05/2014 01:38 par tellurikwaves

  • ©-DR-FORTUNAT d'Alex Joffé (1960)  p19

    ©-DR-FORTUNAT d'Alex Joffé (1960) p19

    02/05/2014 01:38 par tellurikwaves

Avant le voyage à Paris pour achever la mission

©-DR-FORTUNAT d'Alex Joffé (1960) p18

02/05/2014 01:35 par tellurikwaves

  • ©-DR-FORTUNAT d'Alex Joffé (1960)  p18

    ©-DR-FORTUNAT d'Alex Joffé (1960) p18

    02/05/2014 01:35 par tellurikwaves

Retour triomphal au village

©-DR-FORTUNAT d'Alex Joffé (1960) p17

02/05/2014 00:55 par tellurikwaves

  •     ©-DR-FORTUNAT d'Alex Joffé (1960)  p17

    ©-DR-FORTUNAT d'Alex Joffé (1960) p17

    02/05/2014 00:55 par tellurikwaves

©-DR-FORTUNAT d'Alex Joffé (1960) p16

02/05/2014 00:42 par tellurikwaves

  • ©-DR-FORTUNAT d'Alex Joffé (1960)  p16

    ©-DR-FORTUNAT d'Alex Joffé (1960) p16

    02/05/2014 00:42 par tellurikwaves

©-DR-FORTUNAT d'Alex Joffé (1960) p15

02/05/2014 00:40 par tellurikwaves

  • ©-DR-FORTUNAT d'Alex Joffé (1960)  p15

    ©-DR-FORTUNAT d'Alex Joffé (1960) p15

    02/05/2014 00:40 par tellurikwaves

©-DR-FORTUNAT d'Alex Joffé (1960) p14

02/05/2014 00:37 par tellurikwaves

  • ©-DR-FORTUNAT d'Alex Joffé (1960)  p14

    ©-DR-FORTUNAT d'Alex Joffé (1960) p14

    02/05/2014 00:37 par tellurikwaves

©-DR-FORTUNAT d'Alex Joffé (1960) p13

02/05/2014 00:30 par tellurikwaves

  • ©-DR-FORTUNAT d'Alex Joffé (1960)  p13

    ©-DR-FORTUNAT d'Alex Joffé (1960) p13

    02/05/2014 00:30 par tellurikwaves

Let's stand together and hope for the best!
Author: dbdumonteil
20 August 2006

*** This review may contain spoilers ***

During WW2, a posh bourgeois woman (Morgan)is compelled to live under the same room as a crude simple-minded yet big-hearted man.(Bourvil) Her husband was arrested by the Gestapo and she is a hunted woman .

Although not looked upon as a first-rate director,Joffé was praised for the way he used his actors.It's patently obvious in "Fortunat"!Michèle Morgan gives a subtle performance as a woman whose resilience is completely unexpected:when she enters the seedy flat,she says "We cannot stay here!It's not comfortable enough ! The children are not used to that!".

Morgan manages to keep her pride and her radiance even when she carries out humble homework.In direct contrast to her,we have Fortunat:Bourvil shines in his part of an uneducated peasant,risking his life to save his French fellow men as his former school mistress (Gaby Morlay) taught him to do.

Their neighbors are a Jewish family (good support from Rosy Varte and Teddy Billis)with a little girl.In a very simple but moving way,Joffé shows the absurdity of Anti-Semitism:the two families get on very well,they drink lemonade,make music and celebrate Christmas together.The most beautiful scene is perhaps the moment when the two boys and the girl are eating bread and are pretending they're savoring chicken.

Joffé's detractors are going to say it's too good to be true.But the outside world is still here.Morgan hopes the Falk family will be safe and sound but she does not know about concentration camps.Morgan's husband returns from Germany a broken man (he does not appear in the movie),and Bourvil's schoolteacher is shot.

Like this ? Try these.. René Clément: "le jour et l'heure" 1963 Jacques Doillon: "un sac de billes" 1975 George Stevens:"the diary of Anne Frank" 1961 Claude Chabrol: "la Ligne de Démarcation" 1965

 

©-DR-FORTUNAT d'Alex Joffé (1960) p12

01/05/2014 21:00 par tellurikwaves

  • ©-DR-FORTUNAT d'Alex Joffé (1960)  p12

    ©-DR-FORTUNAT d'Alex Joffé (1960) p12

    01/05/2014 21:00 par tellurikwaves

©-DR-FORTUNAT d'Alex Joffé (1960) p11

01/05/2014 17:43 par tellurikwaves

  • ©-DR-FORTUNAT d'Alex Joffé (1960)  p11

    ©-DR-FORTUNAT d'Alex Joffé (1960) p11

    01/05/2014 17:43 par tellurikwaves

What New Wave?
8/10
Author: writers_reign from London, England
7 October 2012

*** This review contain spoilers ***

By far the best thing about this wonderful film is that it was made in 1960 right at the apex of the much vaunted new wave, the one that had pseuds and academics creaming in their pants and the one that lasted all of five minutes. Here Alex Joffe, little more than a journeyman writer- director reminds us that REAL film making is about PEOPLE and grammar - Master Shot, Long Shot, Mid Shot, Two-Shot, Close Shot, Close Up, Fade In, Fade Out, Dissolve, not shooting on the streets with a couple of mates and a hand-held camera, having your leading actor walk up the boulevard and then walk down again for no reason, crudely jump cutting because you don't know what a movieola is.

It would be difficult to nominate two acting styles as disparate as Michele Morgan and Bourvil - Charles Laughton and Celia Johnson perhaps, or Dorothy McGuire and Rod Steiger. No matter, here the two leads manage to meld perfectly. As if to rub it in Joffe is going back 20 years to the Occupation and Morgan gets to wear the beret she wore in Quai des brumes .It's one of those very human stories with everything in, laughter tears, tragedy, melodrama and it all works beautifully.

In a touch of the Green Cards, Morgan is a middle-class lady with two young children and a husband involved with the Resistance who has been arrested. Bourvil is a poacher one rabbit short of a good night's work. Schoolteacher Gaby Morlay - another great pre-New Wave actress in an affecting cameo - brings them together, arranges fake papers including a marriage license and packs them off to Toulouse in the 'Free' Zone.There they sit out the war forging a bond not only with each other but also with the Jewish family who live next door. Inevitably there is only one ending; the war ends .... Bittersweet? In spades.

©-DR-FORTUNAT d'Alex Joffé (1960) p10

01/05/2014 17:31 par tellurikwaves

  •     ©-DR-FORTUNAT d'Alex Joffé (1960)  p10

    ©-DR-FORTUNAT d'Alex Joffé (1960) p10

    01/05/2014 17:31 par tellurikwaves