©-DR-BANANAS de Woody Allen (1971) p4
15/04/2014 04:58 par tellurikwaves
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©-DR-BANANAS de Woody Allen (1971) p4
15/04/2014 04:58 par tellurikwaves
Sites Externes (sans les nuisibles trailers et extraits videos)
Showing all 28 external sites
Official Sites
Miscellaneous Sites
Photographs
©-DR-BANANAS de Woody Allen (1971) p3
15/04/2014 04:48 par tellurikwaves
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©-DR-BANANAS de Woody Allen (1971) p3
15/04/2014 04:48 par tellurikwaves
Cast
Woody Allen : Fielding Mellish
Louise Lasser : Nancy
Carlos Montalbán : Général Emilio M. Vargas
Natividad Abascal : Yolanda
Jacobo Morales : Esposito
Miguel Ángel Suárez : Luis
David Ortiz : Sanchez
René Enríquez : Diaz
Jack Axelrod : Arroyo
Howard Cosell : lui-même
Roger Grimsby : lui-même
Don Dunphy : lui-même
Charlotte Rae : Mrs Mellish
Stanley Ackerman : Docteur Al Mellish
Dan Frazer : Le prêtre
Sylvester Stallone : L'agresseur dans le métro
Danny DeVito : Subway hood
©-DR-BANANAS de Woody Allen (1971) p2
14/04/2014 17:46 par tellurikwaves
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©-DR-BANANAS de Woody Allen (1971) p2
14/04/2014 17:46 par tellurikwaves
Accueil en France
Bananas est lancé en France à peu près en même temps qu'un autre film satirique, "W.R. : Les mystères de l'organisme"(? inconnu au bataillon) qui lui vole quelque temps la vedette dans les médias. Delfeil de Ton montera au créneau pour défendre ce film et ce réalisateur alors peu connus dans ses chroniques (HARA KIRI,CHARLIE HEBDO)
©-DR-BANANAS de Woody Allen (1971)
14/04/2014 17:41 par tellurikwaves
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©-DR-BANANAS de Woody Allen (1971)
14/04/2014 17:41 par tellurikwaves
Bananas est un film américain de Woody Allen, sorti sur les écrans en 1971. Il est largement inspiré d'un roman humoristique de Richard P. Powell (1908-1999) sorti en 1966, Don Quixote, U.S.A. (publié en français sous le titre Don Quichotte de San Marco). Il a été filmé à New York, Lima et au Porto Rico.
Résumé
Un Américain, abandonné par son amie, part pour l'État fictif de San Marcos, en proie à la guerre civile. Il en deviendra président, puis retrouvera l'Amérique et son amie, toujours sous les caméras de télévision.
©-DR-GUERRE & AMOUR de Woody Allen (1975) fin
14/04/2014 10:49 par tellurikwaves
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©-DR-GUERRE & AMOUR de Woody Allen (1975) fin
14/04/2014 10:49 par tellurikwaves
Trivia
Showing all 32 items
-Boris is in his cottage writing poetry. He reads, "I should have been a pair of ragged claws scuttling across the floors of silent seas." He then promptly balls up the writing and throws it into the fire, calling it "too sentimental". The line is from T.S. Eliot's "The Love Song of 'J.Alfred Prufrock'".
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-The shots of the lion statues edited into the love scene between Boris and the Countess, and the shot of the soldier being shot in the eye through his glasses are parodies of similar statues in Le cuirassé Potemkine (1925), shown during the Odessa Steps massacre scene.
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-Filmed mainly in Hungary, with some scenes done in Paris. It wouldn't be until 1996 and Tout le monde dit I love you (1996) that Woody Allen would make another film outside of the New York area.
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-The movie is considered a spoof of the Russian Novel, particularly the works of Leo Tolstoy and Fyodor Dostoevsky, particularly "The Idiot", "The Gambler", "War and Peace", "Anna Karenina", "Crime and Punishment", and "The Brothers Karamazov".
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-Woody Allen was working on a script about two New Yorkers who try to solve a murder when he got stuck. When blocked, Allen noticed a book on Russian History at his home. As the deadline was fast approaching for delivery of a contracted screenplay, Allen got inspired and decided to spoof the genre of Russian novel and history for this movie instead, putting the other script on the back-burner. As such, the other script was not finished until later, but it eventually became Meurtre mystérieux à Manhattan (1993).
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-This Woody Allen movie featured the Death character of The Grim Reaper. Allen is known to be inspired and influenced by Swedish filmmaker Ingmar Bergman who had featured the Grim Reaper in his film Le septième sceau (1957). In the Bergman film the Grim Reaper wears black robes whereas in this film he wears a white gown. Allen would later feature the Grim Reaper again in Harry dans tous ses états (1997).
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-The wheat scene with towards the end of the film is a direct visual parody of Ingmar Bergman's classic Persona (1966). The juxtaposition of faces is an homage to Bergman's trademark shots.
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-The philosophical "babble" between the characters (e.g. "subjectivity is objective") actually comes from the writing of Russian philosophers G.I. Gurdjieff and P.D. Ouspensky, as does the title "Love and Death".
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-Woody Allen was so concerned about the quality of Budapest's food that he consumed only canned food and bottled water that he had brought with him from America. As a result, Allen was one of the few of his movie's cast and crew who did not suffer dysentery while filming.
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-In an interview with 'Esquire' magazine, Woody Allen once said of the making of this movie: "When good weather was needed, it rained. When rain was needed, it was sunny. The cameraman was Belgian, his crew French. The underlings were Hungarian, the extras were Russian. I speak only English - and not really that well. Each shot was chaos. By the time my directions were translated, what should have been a battle scene ended up as a dance marathon. In scenes where Keaton and I were supposed to stroll as lovers, Budapest suffered its worst weather in twenty-five years".
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-After Guerre et amour (1975), Woody Allen would again utilize the three word title with an "and" middle word on several more occasions. These would be for Maris et femmes (1992), Ombres et brouillard (1991), Accords & désaccords (1999), Melinda et Melinda (2004) and Crimes et délits (1989). Guerre et amour (1975) was Allen's first film in which he used this type of three word title. Similar also was Allen's title for Hannah et ses soeurs (1986).
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-When Woody Allen leaves for the army, he is shown carrying preserved butterflies and a butterfly net as homage to Russian-born author Vladimir Nabokov.
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-When Boris' father visits him in his prison cell, near the end of the movie, he tells him about Raskolnikov killing two women and about getting told by the brothers Karamazov. Rodion Raskolnikov is the protagonist in Fyodor Dostoevsky's classic "Crime and Punishment", in which he murders two women and does not know how to deal with the moral consequences afterwards. "The Brothers Karamazov" is another epic book by the same Russian writer. The dialogue also evokes "The Possessed", "Raw Youth", "The Idiot", "The Insulted and Injured" (usually "The Insulted and Humiliated"), "The Gambler", "The Double", "Bobok", all of them novels by Dostoyevsky.
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-The film began development at Fox and was intended to be their one of their big Christmas 1974 releases. Eventually, it went into turnaround to United Artists due to their relationship with Allen. Allen wouldn't make a film for Fox until Melinda et Melinda (2004).
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-The film's Guerre et amour (1975) title is a play on words of such Russian novel titles as Leo Tolstoy's "War and Peace" and Fyodor Dostoevsky's "Crime and Punishment". Woody Allen would around fourteen years later make a movie called Crimes et délits (1989).
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-Woody Allen has said that this movie was "my funniest picture to that time".
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-Woody Allen once said: "I took a speed reading course and read 'War and Peace' in twenty minutes. It involves Russia".
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-The name of Woody Allen's Boris Grushenko character is the same as Alan Cumming's character in the later James Bond movie Goldeneye
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-The movie's big battle sequence features Sergei Prokofiev's cantata music from Sergei M. Eisenstein's epic Alexandre Nevski (1938).
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-Debut Woody Allen film since cast by longtime friend and New York casting director Juliet Taylor who has performed casting duties on every Allen film [to date, June 2013] right up to Blue Jasmine (2013).
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-The soundtrack was originally scored with the music of Igor Stravinsky, but Woody Allen thought it made the scenes "unfunny". He discovered Sergei Prokofiev's lighthearted music worked far better.
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-Woody Allen's sixth film as director.
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-The film negative for the big banquet scenes got damaged and the whole sequence had to be re-shot.
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-Actress Diane Keaton at one point got poked in the eye from a violin bow and suffered minor injuries.
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-Producer Charles H. Joffe got food poisoning during the production shoot and became inactive.
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-One of the movie's male actors suffered a serious accident during principal photography breaking both his legs in an unfortunate car accident.
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-One of eight cinema movie collaborations of Woody Allen and actress Diane Keaton, Allen co-starring in six of them and directing seven of them.
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-Woody Allen on the shoot hurt his back after tripping on some ice in front of the Eiffel Tower in Paris.
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-According to show-business trade paper'Variety', the movie featured "about fifty-four supporting players"
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-This film's comic style paid homage to a number of classic comedians which included Bob Hope, Charles Chaplin and The Marx Brothers.
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-According to film critic Leonard Maltin, the film is "like a remake of Bob Hope's Le joyeux barbier (1946)".
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After filming Guerre et amour (1975), the shoot was so difficult filming in Paris and Hungary, Woody Allen vowed never to shoot there again. Interestingly, considering this, Ombres et brouillard (1991) is set in Eastern / Central Europe and was not shot there, but on huge sound stages at New York's Astoria Studios.However, Allen in later years has shot in Europe and England. Tout le monde dit I love you (1996) was the first Woody Allen directed film since Guerre et amour (1975) to be shot outside of New York.
©-DR-GUERRE & AMOUR de Woody Allen (1975) p15
14/04/2014 10:42 par tellurikwaves
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©-DR-GUERRE & AMOUR de Woody Allen (1975) p15
14/04/2014 10:42 par tellurikwaves
A great woody flick, one of his better ones
9/10
Author: PersianPlaya408 from Milpitas, California
27 August 2005
This Woody Allen flick is by far the funniest of his that I have seen thus far, although i don't think its as good as a film as Annie Hall or The Purple Rose of Cairo, both which I consider masterpieces of Woody's,(ah ouais?ben moi Mia Farrow m'emmerde prodigieusement!!) Love and death is still a brilliant film.
The story of Boris Grushenko (Allen), a Russian who is caught up in the invasion of the french lead by Napoleon (Tolkan). Meanwhile he also loves Sonja (Keaton), a girl who has confusions of her own.
The film is written brilliantly, great dialogues and wit, its truly offbeat humor, the funniest from Woody. Although his direction here is a bit weird, and at times the plot is not believable at all and obviously satirical, the performances and great dialogues make it work. It was a bit redundant and had a bit too much slapstick at times but still enjoyable.
Watching this film, truly had me laughing throughout. Woody was perfect in his role, probably my favorite acting from him along with his acting in Annie Hall. Diane Keaton was also great here, not as good as her other work in this decade (GF, GF2(??!)and Annie Hall), however still great here. James Tolkan was also great as Napoleon. 9/10 on list of all time favorite films
©-DR-GUERRE & AMOUR de Woody Allen (1975) p14
14/04/2014 10:35 par tellurikwaves
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©-DR-GUERRE & AMOUR de Woody Allen (1975) p14
14/04/2014 10:35 par tellurikwaves
One of Woody's (or anybody's) funniest.
10/10
Author: Hermit C-2 from Marietta, GA, USA
20 May 1999
Which movie of Woody's was it in which he talked to aliens who expressed a liking for his "early, funny" movies? (dans STARDUST MEMORIES) In any case this is perhaps his funniest. His lampooning of the great Russian dramas are hilarious to those who have even a passing familiarity with them, and even if you don't, the jokes come so fast and furious that it literally is a laugh a minute--at least! Woody and Diane Keaton were a great comedy team. They were really at the top of their game when they made this one. I'll resist the urge to repeat laugh lines here and just recommend that fans of good comedy see it.
©-DR-GUERRE & AMOUR de Woody Allen (1975) p13
14/04/2014 10:31 par tellurikwaves
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©-DR-GUERRE & AMOUR de Woody Allen (1975) p13
14/04/2014 10:31 par tellurikwaves
Possibly Allen's comic masterpiece
9/10
Author: Cameron (inthreefour@aol.com) from Northern California
14 February 2004
Although the critics loved Annie Hall and some of Allen's other films more than this one, I think this is his best combination of comedy and philosophy. I would strongly recommend this to any fan of Russian history, comedy, philosophy, or Woody Allen.
©-DR-GUERRE & AMOUR de Woody Allen (1975) p12
14/04/2014 10:27 par tellurikwaves
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©-DR-GUERRE & AMOUR de Woody Allen (1975) p12
14/04/2014 10:27 par tellurikwaves
Absolutely Amazing!
10/10
Author: Sweet_Lady_Lynnie from United States
1 November 2005
Honestly, It took me 24 years to truly appreciate the work of Woody Allen. But those were 24 years well spent and by that I mean... -it could be that you have to grow up and be a student of life and really see what the world is about. or -it could just be that you need to be cynical ...in order to achieve the mindset to understand the genius of it all, there's something about Woody Allen that is just incredibly fantastic. I must say that this film is incredibly well thought, acted, and directed....Diane Keaton is the best shes ever been in my opinion and Woody...man you gotta love him!
Just watch it! You'll be in tears-too funny!
©-DR-GUERRE & AMOUR de Woody Allen (1975) p11
14/04/2014 10:23 par tellurikwaves
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©-DR-GUERRE & AMOUR de Woody Allen (1975) p11
14/04/2014 10:23 par tellurikwaves
Woody at his historical, or should that be, hysterical best!
Author: Sonatine97 (sonatine97@hotmail.com) from Birmingham, England
21 August 2000
For me Love & Death and Sleeper were Allen's zenith for slapstick, one-liner comic-gag comedy. After the relatively immature but amusing Bananas & Everything You always Wanted To Know About Sex, Allen goes up a notch in the intellectual comedy stakes to produce this fine send-up of Russian culture & historical caricature.
Even though some of the one-liner jokes don't always come off it doesn't matter because you never really get chance to think too much about how droll it is because Allen has another half dozen gags waiting in the wings. But I've often found that Allen works best when he has a foil for his anarchic humour: and thank the Lord he managed to find the wonderful talent of Ms Keaton.
She may not be his intellectual equal but she can run him to ground in nearly everything else. She has a kind of naive charm in this movie, always daydreaming, never really listening to Allen's mutterings & jabberings. And with this naivity brings warmth, humility and a general sense of well being.At the same time Allen can release all his pentup emotions, fears, neo-neurosis to Keaton knowing full well that she wouldn't have a single notion as to what he was on about.
And thats what makes this partnership so durable whether it be here in Love & Death, or Sleeper, Annie Hall or Manhattan Murder Mystery. The scripts may vary but they're held together by the spontaneity of the two stars. It should be said also that Love & Death breaks new ground for Allen, because even though he still relies on the childish humour of his earlier films, it is also quite clear that he is more forthcoming with his angst against a problematic world.
His philosophic nuances dominate a lot of the film, which he will put to more practical use in his latter films like Annie Hall & Manhattan. But here he gets the mix between jokes & existentualism just right. Love & Death is quite literally a laugh a minute. Whatever people may say about his recent personal problems it cannot be denied that this guy is a pure talent and should be cherished for what he is a man that makes the world a happier place, if only for a few hours!