©-DR-ZERO DARK 30 p3

06/04/2014 18:44 par tellurikwaves

  • ©-DR-ZERO DARK 30  p3

    ©-DR-ZERO DARK 30 p3

    06/04/2014 18:44 par tellurikwaves

Sites externes

Showing all 153 external sites
Jump to: Official Sites (4) | Miscellaneous Sites (55) | Photographs (30) |

Official Sites

Miscellaneous Sites

Photographs

©-DR-ZERO DARK THIRTY de Kathryn Bigelow (2013) p2

06/04/2014 18:19 par tellurikwaves

  • ©-DR-ZERO DARK THIRTY de Kathryn Bigelow (2013)  p2

    ©-DR-ZERO DARK THIRTY de Kathryn Bigelow (2013) p2

    06/04/2014 18:19 par tellurikwaves

Jessica Chastain : Maya
*
*
*
*
*
*
*
 
Cast
Jessica Chastain : Maya
Jason Clarke  : Dan
Joel Edgerton  : Patrick
Mark Strong  : George
Chris Pratt : Justin
Kyle Chandler : Joseph Bradley
Édgar Ramírez  : Larry
Taylor Kinney : Jared
Mark Duplass  : Steve
Harold Perrineau  : Jack
Stephen Dillane : conseiller de la sécurité nationale
Ricky Sekhon : Oussama ben Laden
Jennifer Ehle  : Jessica
James Gandolfini  : Leon Panetta, le directeur de la CIA
Scott Adkins  : John
Reda Kateb  : Ammar
Callan Mulvey : Saber
Jeremy Stong : Thomas
John Barrowman  : Jeremy
Fredric Lehne  : Wolf
Daniel Lapaine  : Tim
Homayoun Ershadi: Hassan Ghoul
Fares Fares : Hakim
Jessica Collins : Debbie
Frank Grillo : le commandant des officiers de l'escadron
Ali Marhyar

©-DR-ZERO DARK THIRTY de Kathryn Bigelow (2013)

06/04/2014 18:15 par tellurikwaves

  • ©-DR-ZERO DARK THIRTY de Kathryn Bigelow (2013)

    ©-DR-ZERO DARK THIRTY de Kathryn Bigelow (2013)

    06/04/2014 18:15 par tellurikwaves

Zero Dark Thirty est un film américain réalisé par Kathryn Bigelow en 2012. Il retrace la longue traque d'Oussama ben Laden par la CIA, finalement conclue par son exécution en 2011.Il a été nommé à 5 Oscars dont celui du meilleur film en 2013.

 

 

Résumé
Pendant une décennie,une équipe de forces spéciales US travaillant dans le secret à travers le monde n'a qu'un seul et unique objectif:traquer et éliminer le terroriste Oussama Ben Laden.

 

©-DR-COURS LOLA,COURS ! de Tom Tykwer (1998) fin

05/04/2014 14:27 par tellurikwaves

  • ©-DR-COURS LOLA,COURS ! de Tom Tykwer (1998)  fin

    ©-DR-COURS LOLA,COURS ! de Tom Tykwer (1998) fin

    05/04/2014 14:27 par tellurikwaves

Distinctions

-Prix du film allemand 1999 : meilleur film, meilleur réalisateur,
meilleur second rôle féminin pour Nina Petri,
meilleur second rôle masculin pour Herbert Knaup,(le papa banquier)

-prix du public pour le film de l'année et pour Franka Potente en tant que meilleure actrice.

-Nommé au Grand Prix de l'Union de la critique de cinéma.

©-DR-COURS LOLA,COURS ! p26

05/04/2014 14:24 par tellurikwaves

  • ©-DR-COURS LOLA,COURS !  p26

    ©-DR-COURS LOLA,COURS ! p26

    05/04/2014 14:24 par tellurikwaves

Trivia
Showing all 18 items

-The colors red (Lola's hair, numerous cars, telephone) and yellow (the phone box, supermarket, tram) appear very often in the film, these colors were selected by the director to signify danger. The reds are mainly in Lola's scenes and yellows in Manni's.
11 of 11 found this interesting Interesting?YesNo | Share this
-During shooting, Franka Potente could not wash her hair for seven weeks because the red hair color was very sensitive to water and would have got lighter with every washing.
9 of 9 found this interesting Interesting?YesNo | Share this
-Tom Tykwer hated the empty space on the wall and asked production designer Alexander Manasse to paint a picture of Kim Novak as she was in Sueurs froides (1958). But Alexander didn't remember what she looked like, so Tom suggested he painted her from behind. Alexander completed the picture within fifteen minutes.
7 of 7 found this interesting Interesting?YesNo | Share this
-It took nearly five weeks to persuade a supermarket in Berlin to allow them to shoot the robbery sequence.
7 of 7 found this interesting Interesting?YesNo | Share this
-This film contains about 1581 transitions (edits, dissolves, fades, wipes, etc) in 71 minutes of action (i.e. excluding the credits, and pre-credits sequence). This equates to an Average Shot Length of about 2.7 seconds. Interestingly, the editing is relatively slower towards the end of the film. For most contemporary films, the opposite is the norm.
7 of 7 found this interesting Interesting?YesNo | Share this
-The shot where the roulette ball lands on 20 was not a trick shot - the crew simply filmed the ball dropping into the wheel, and it hit 20 on one of their first takes.
6 of 6 found this interesting Interesting?YesNo | Share this
-Hans Paetsch, who speaks the narration at the beginning, is Germany's most popular fairy tale narrator. His characteristic voice is easily recognized by anyone who grew up with fairy tale records in Germany.
* 
-Lola bets to the number twenty, the first and last story last twenty minutes and twenty minutes is also the time she has to get the money.
 
-For the shot of the crowd spelling out the title, 300 extras were shot forming each letter separately, and director Tom Tykwer spent about a month compositing the shots together in post-production. It would have taken thousands of extras to spell out the entire title in a single shot, and the production couldn't afford to hire that many.
* 
-The blind woman that Manni borrows the phone card from is Moritz Bleibtreu's mother, Monica Bleibtreu.

-The glass clock in the bank is broken using a small air rifle firing a small stone.

-There are many spirals in the film (stair cases, bar behind phone booth etc). This is because director Tom Tykwer was a fan of 'Alfred Hitchcock''s Sueurs froides (1958).

-The two sentences at the opening ("The ball is round" and "The game lasts 90 minutes") are famous quotes by German soccer coaching legend Sepp Herberger.

-The money bag, stolen by a homeless man, has Russian lettering on it - "Malossol Original". It's actually a bag for Russian Caspian caviar under the brand "Malossol
Original".

-The decoration on the wall of the teller is a bill from Slovenia, which was in circulation between 1992-2007 (before replaced by Eur).

-When Manni says Shrimp in Florida he is actually giving credit to the person who wrote the movie. It is a family nickname of this uncredited person.
*
-In the film, Manni needs 100,000 marks. In 1998, the exchange rate for marks was 1.789 making this sum equivalent to $55,897.15 in the US. At the end, Lola winnings amount to 126,000 marks ($70,430.41).

-Spoilers The trivia item below may give away important plot points.
During the third sequence after the head on car collision a moped rider rear ends Ronnies car and lands on the windsheilds. Most viewers do not realize that this is the man who stole Lola's moped, so he gets his comeuppance in the end.
 

©-DR-COURS LOLA,COURS ! de Tom Tykwer (1998) p25

05/04/2014 14:21 par tellurikwaves

  • ©-DR-COURS LOLA,COURS ! de Tom Tykwer (1998)  p25

    ©-DR-COURS LOLA,COURS ! de Tom Tykwer (1998) p25

    05/04/2014 14:21 par tellurikwaves

Lola Rennt
Author: Duncan from australia
26 February 2003

Lola rennt or Run Lola Run as we say it, is a German thriller written and directed by Tom Tykwer. This Film will contrast your emotions as it shows you how one little event in somebody's life can change there's, and other peoples lives forever. This rollercoaster ride of emotions will keep you gripped all the way through as it jumps from soft, dimly lit emotional scenes, to the completely contrasting scenes of running and constant action.

The music used in this film complements the scenes very well, when it's a slow scene our ears are graced with soft classical music like when Lola is falling to the ground in a slow motion shot. The complete opposite of this is used in the fast paced running scenes, as we get pounded by constant techno beats. I believe that the director has used techno to try and get us inside Lola's head as she is running and stressing about Manni and all the other events that happen throughout this amazing film.

Lola's Determination to save her boyfriend Manni is very well projected as she enters the bank that her father runs, and throughout the three different versions of the story uses different techniques to try and save him. This involvement with the characters and the three different storylines is very unique to this style of film. I think that the actors have delivered a very memorable and exciting performance which will leave viewers wanting to watch the film over and over again.

I think that this director has used this style of film very well, he is one of this first to successfully use this style and create a very interesting and exciting film. This film is almost the only one of its kind, other than the film 'Sliding Doors' but even in that the character is living two parallel lives but in this film it is replayed over again.This film used interesting techniques that I had never seen in a film before. I think that the snapshots into the peoples lives gave you a good view of how one little event can change your life forever.

By replaying through the same sort of events three times the director lets you really get a sense of feeling for the characters, especially Lola and as the film progresses you actually start to care about the characters and I think this was a really good quality in the film.Overall I really enjoyed this film, and think that it is one of the best foreign films I have seen in a long time, and would give it a 9/10.

©-DR-COURS LOLA,COURS ! de Tom Tykwer (1998) p24

05/04/2014 14:09 par tellurikwaves

  • ©-DR-COURS LOLA,COURS ! de Tom Tykwer (1998)  p24

    ©-DR-COURS LOLA,COURS ! de Tom Tykwer (1998) p24

    05/04/2014 14:09 par tellurikwaves

best german film to date
10/10
Author: Thomas Altmann from Germay
11 October 2001

"Lola Rennt" is probably the best german film to date! I've seen it a couple of times now and each time it is as fascinating as it was when I first saw it on the big screen.

The most stunning thing about this movie is the fast pace that is maintained through all aspects of the film: the sound, the music, the camera perspectives, the editing, etc. Plus Franka Potente does an excellent job to underline this effect.

But to be honest: "Lola Rennt" is no film for the casual moviegoer who just wants to see another mainstream movie as we so often see it in Hollywood movies. It is in nearly every aspect different from the average movie and has a lot of stylistic (animated sequences, split-screen, etc) and narrative twists that you won't see in most films today.

Score: 10 out of 10

©-DR-COURS LOLA,COURS ! de Tom Tykwer (1998) p23

05/04/2014 14:06 par tellurikwaves

  • ©-DR-COURS LOLA,COURS ! de Tom Tykwer (1998)  p23

    ©-DR-COURS LOLA,COURS ! de Tom Tykwer (1998) p23

    05/04/2014 14:06 par tellurikwaves

©-DR-COURS LOLA,COURS ! p22

05/04/2014 14:03 par tellurikwaves

  • ©-DR-COURS LOLA,COURS !  p22

    ©-DR-COURS LOLA,COURS ! p22

    05/04/2014 14:03 par tellurikwaves

Right place at the wrong time or wrong place at the right time?

Author: chemingineer from Mumbai, India
27 February 2001

*** This review may contain spoilers ***

The film has an unusual format in that it presents three versions of a twenty-minute episode. But unlike Kurosawa's RASHOMON these are not different perspectives of the same incident by different eyes. Instead it offers 'It could have been this way, but for…. or if only…' scenarios. The film thus attempts to define what people loosely refer to as the luck factor. Luck, the film tries to say is being at the right place at the right time or even the wrong place at the wrong time. Or it could be the right place at the wrong time, or is it the wrong place at the right time. It is this clever scripting around the space-time permutation, that makes this film such a delight to watch.

The scenario, in which the young lovers emerge triumphant and richer, makes out a strong case for being proactive and for taking risk. It is also amusing to see how wrong conclusions can be drawn from partial information. But the film offers more than an interesting case study for management students. Cinema buffs would notice that time compression, which is so common in film idiom is not resorted to…. the action is nearly in true time. The quicksilver editing and the pulsating background score embellish Lola's running and make sure that the repetitions do not get jarring. The film is an unalloyed delight to the mind and the senses.

©-DR-COURS LOLA,COURS ! de Tom Tykwer (1998) p21

05/04/2014 13:57 par tellurikwaves

  • ©-DR-COURS LOLA,COURS ! de Tom Tykwer (1998)  p21

    ©-DR-COURS LOLA,COURS ! de Tom Tykwer (1998) p21

    05/04/2014 13:57 par tellurikwaves

See Lola run
10/10
Author: jotix100 from New York
13 July 2005

Tom Tykwer's clever "Run Lola Run" showed up on cable the other day. We had seen it when it first came out, and frankly, watching it for a second time, it seemed even better than the last time. Mr Tykwer made an excellent impression with this film, which introduced us to this talented director. Having seen "Heaven", and "True", "Lola rennt" is by far a superior effort from Mr. Tykwer.

The premise of the film is a clever one. Lola, in twenty minutes, must solve the mystery in which she is drawn into. At each of this situations, Lola shows great resources about how to help her petty criminal boyfriend, who has lost 100,000 DM, and now must account for the missing money.Franka Potente is the main reason why this movie works the way it does. She is almost like the cartoon character one sees in the opening credits.

Lola, is larger than life, and shows she can do anything she wants because of her resolve. Ms. Potente brings freshness to the role and she totally captivates the viewer in her no-nonsense approach to life, in general. The supporting cast does good work under Mr. Tykwer's direction.It's a puzzle why Hollywood hasn't made an attempt to remake this film, since the Americans are obsessed with redoing material like "Run Lola Run". Let's hope they don't try!