Š-DR-MIROIR de Raymond Lamy (1947)

10/02/2014 18:20 par tellurikwaves

Pour conclure le dossier Jean Gabin sans atteindre l'overdose,je finirai par ce film moins connu (si j'en juge par les échos de presse et de cinéphiles) et sur lequel je n'ai pas trouvé grand chose qui donne envie de voir le film. J'ai pourtant eu grand plaisir à le regarder. Plus tard j'aurai l'occasion de mentionner plusieurs autres films dans lesquels il a joué que j'ai vus et apprécié
 

Š-DR-EN CAS DE MALHEUR de Claude Autant-Lara (1958 ) fin

10/02/2014 12:06 par tellurikwaves

Love is blind...

Author: Eric Sayettat (sayettat@hotmail.com) from Paris, France
17 May 2000

Well not entirely blind when one of the protagonists is Brigitte Bardot. She certainly was the cutest cutie of her times and Gabin was some kind of a man...Yvette is foolish and gay,(?) he is stern and reasonable, she is a thief and a good for nothing, he is hard working and honest (mind you , a lawyer...).Not a masterpiece but a excellent piece of acting and a far from innocent movie.

Well acted, especially by Jean Gabin, and there's no denying Bridget Bardot's sex appeal, although a more gifted actress might have made both the character and the whole film deeper.A middle aged attorney (Gabin) falls for a sexy young client (Bardot) after she bungles a stick up. They carry on an open affair with her, as Gabin's wife keeps waiting for him to come home, and as Bardot keeps vacillating between her older, stable lover, and her hot, volatile young boyfriend.Never boring, but stays pretty much on the surface most of the time, with an oddly light tone. However, the ending twist is quite moving, and gives the whole film a deeper resonance than it would have otherwise.

Š-DR-EN CAS DE MALHEUR de Claude Autant-Lara (1958 ) p27

10/02/2014 12:04 par tellurikwaves

Š-DR-EN CAS DE MALHEUR de Claude Autant-Lara (1958 ) p26

10/02/2014 12:00 par tellurikwaves

Brief Encounter

Author: writers_reign from London, England
6 October 2012

*** This review may contain spoilers ***

It's often interesting and sometimes entertaining to witness one generation of actors sharing the screen with the next, sometimes handing the torch over gracefully, sometimes dangling it in front of the newcomer and sending the tacit message 'take it - if you think you can carry it. We've seen it with Yves Montand and Gerard Depardieu in Le Choix des armes, with Gabin himself and Alain Delon in Melodie en sous-sol and here we have Gabin again but more pertinently Edwige Feuilliere facing up to Brigitte Bardot.

I am arguably one of a small handful of heterosexual men who have never been able to see what all the fuss was about in the case of Marilyn Monroe and Brigitte Bardot. It would be foolish in incorrect to say they were totally inept and Monroe especially managed to appear in several films with real actors, like Clash By Night, All About Eve, The Ashphalt Jungle, Don't Bother To Knock and, of course, Some Like It Hot but only in the last title did she achieve above-the-title billing.

En cas de malheur is fascinating to people like me who love French cinema because it was released in 1958 which was just about the time those petulant schoolboys from Cahiers du Cinema were doing their best to destroy it and replace it with Amateur Night. Start with the script; a novel by Georges Simenon who had been providing material for French cinema since the earliest days of sound, add Jean Aurenche and Pierre Bost who, beginning with Douce in 1943, had written no less than ten outstanding screenplays, largely adaptations from novels and in so doing had managed to get right up the nose of Truffaut, quel dommage.

With Encas de malheur they did it again even as Truffaut and Godard were preparing to take to the streets with their hand-held Arris and Nagras and egos the size of a Sound Stage at MGM.* Throw in Gabin and Feuilliere and you have as good a definition of the finest in French cinema as any. Call me odd but while I wouldn't cross a room let alone a street to get next to Bardot I'd cross deserts if Feuilliere was on the other side. I guess I've always preferred Class to Cute. Be that as it may this is a fine movie and well worth adding to your DVD collection.

* De gros egos mais au final de petits films...

Š-DR-EN CAS DE MALHEUR de Claude Autant-Lara (1958 ) p25

10/02/2014 11:58 par tellurikwaves

à gauche :Franco Interlenghi (I VITTELLONI etc...)

Š-DR-EN CAS DE MALHEUR de Claude Autant-Lara (1958 ) p24

10/02/2014 11:56 par tellurikwaves

good drama

Author: Wout Visser (wrvisser-leusden-nl) from Leusden, Holland
7 August 2003

*** This review may contain spoilers ***

Brigitte Bardot, at the pinnacle of her career, plays a cheap whore committing a robbery. At her trial she is defended succesfully by the jet-set lawyer Gobillot, played by the great Jean Gabin. Needless to tell that Gobillot gets involved by Brigitte's charms, and that she becomes his mistress afterwards.

'En cas de malheur' shows fascinatingly the spell young, blond and beautiful Yvette (= BB) excercises on Gobillot - him getting into serious professional and marital trouble as a result. Of course Yvette meanwhile keeps involved with a lover of her own age.The movie also bridges a generation gap. It really is the splendid youthful beauty of Bardot against the magnificent acting by the mature Gabin and Edwige Feuillière (who plays madame Gobillot).

The greatest thing about this good movie is, I think, that Brigitte accepted second billing after Gabin. At the height of her breathtaking career she did just that, and the results show her right.You may be interested to know that the story of 'Malheur' was written by Georges Simenon. He is a Belgian who became famous all over Europe for his detective-novels, featuring policeman Maigret. Also interesting is that Gabin had a love affair with Marlène Dietrich (at the end of the forties, I believe).

So he knew about beautiful actresses: when Brigitte met him for the first time on the set of 'Malheur', she was so over-awed that she spoke her lines wrongly. Gabin, understanding, made a few mistakes himself in his lines - purposely, thus putting Brigitte at ease. It worked.The end of 'Malheur' fits well: Yvette is murdered by her lover, the young one. A crime out of jealousy.

Š-DR-EN CAS DE MALHEUR de Claude Autant-Lara (1958 ) p23

10/02/2014 11:54 par tellurikwaves

STRANGE LITTLE MELODRAMA WITH BEAUTIFUL BARDOT!

Author: shepardjessica from sparks, nevada
22 September 2004

Gorgeous Brigitte Bardot is perfect as the mixed-up, spoiled young woman carrying on with an older attorney (Jean Gabin)who sets up her own fate. Mr. Gabin has always been a marvelous actor with a commanding presence at all times. Nice music and cinematography, but it's Ms. Bardot who makes it worthwhile. Beside her looks and sex appeal, her personality always shines through and she seems very comfortable on screen, even at a young age.A 7 out of 10. Best performance = B. Bardot. You never quite knew where this film was going to end up, but it reaches a touching ending of closure for all concerned.

Š-DR-EN CAS DE MALHEUR de Claude Autant-Lara (1958 ) p22

10/02/2014 11:52 par tellurikwaves

EN CAS DE MALHEUR (Claude Autant-Lara, 1958) ***

Author: MARIO GAUCI (marrod@melita.com) from Naxxar, Malta
24 January 2010

The film under review closes off nicely Claude Autant-Lara's impeccable 15-year run of noteworthy pictures that had begun with 1943's DOUCE (see my upcoming rave review); it is also notable for being an unlikely but fairly successful meeting between the biggest (Jean Gabin) and hottest (Brigitte Bardot) stars in French Cinema at the time i.e. just before the outbreak of the "Nouvelle Vague" brought along a horde of fresh and irreverent talent.

Adapted from a Georges Simenon novel, the plot of EN CAS DE MALHEUR is quite predictable and not entirely convincing but the consummate professionalism of all concerned smooths over any bumps that come up along the way. Bardot is an aimless youth who, together with her reluctant girlfriend, amateurishly attempts to pull off a small-time jewel heist that, inevitably, goes wrong and, eventually, picks up Gabin's name at random from a phone book to act as her defense counsel in court; not having the financial means to pay for his services, she elects to remunerate him in the only way she knows how: seduction.

Although this particular sequence, as shown in the finished film, is disappointingly chaste, the deleted clip reproduced at the end of the copy I acquired is, however, too crude to be seen at such an early stage of the film and, in my opinion, the director was wise to jettison it; in any case, he did contrive to gives us a good look at the gloriously naked body (solely from the back, of course) of the 23-year old Bardot later on when she rushes out of the bathroom and into bed (much to the chagrin of Gabin's mousy secretary) of the apartment that Gabin provided her with! Needless to say, Gabin is already married (to the formidable Edwige Feuilliere) and, although on the surface she appears to condone Gabin's latest flirtation, she is obviously none too happy about it.

To complicate matters further, Bardot is also seeing her irascible Italian lover (Franco Interlenghi) on the side and things come to a tragic head when she unwisely decides that loveless wealth is preferable to blissful poverty. Abetted by Jacques Natteau's noir-ish lighting and Rene' Cloerec's fine score, the colorful cast also includes three alumni from the films of Luis Bunuel, namely Julien Bertheau (appearing briefly at the very end as the investigating inspector at the scene of the crime passionel), Jean-Pierre Cassel (unbilled as an animated trumpeter, one of Bardot's casual lovers) and an unrecognizable Bernard Musson – and even Jacques Marin and Daniela Bianchi (also unrecognizable).

While the film's 122-minute running time would seem overgenerous on paper, it is only the belated (and unnecessary) introduction of the character of Bardot's maid that makes one realize this as we lay watching; I strongly suspect that the film-makers wanted to push the boundaries of censorship even further by hinting at a possible ménage-a-trois between her, Bardot and Gabin but, perhaps thankfully, this is not made all that clear in the few scenes they share together…which is just as well since the huge difference in age between on screen lovers Gabin and Bardot and the above-mentioned nude scene had already raised the proverbial conservative eyebrows! For the record, the film was remade 40 years later as EN PLEIN COEUR aka IN ALL INNOCENCE with Virginie Ledoyen stepping into Bardot's 'shoes'.

Š-DR-EN CAS DE MALHEUR de Claude Autant-Lara (1958 ) p21

10/02/2014 11:34 par tellurikwaves

Gets better with every viewing

Author: adrian290357 from Portugal
16 February 2009

This is not a particularly well known movie among the anglophone crowd but it is definitely very advanced for its year of production, 1958. Yvette Maudet ("maudit" means accursed in French) as portrayed by Bardot is a constantly split personality that seems utterly unable to decide whether she wants the wealthy but old and not overly attractive Gabin or the young and handsome, but poor, Gaston. The way she enlists the services of Gabin as her lawyer is memorable and the scene so graphic and far ahead of its time that it was cut!

Curvaceous 22-year-old blonde Bardot is to die for but it is Gabin that carries the film with a masterly performance. Look out for Feuillere in role of Gabin's wife. She is apparently liberal and allows the affair to unfold and develop in the belief that her husband will eventually come back and she will remain in control of the marriage. Watch how she puts away her glasses when he comes into her bedroom so she looks more attractive to him... even though she knows she cannot compete with the much younger and voluptuous BB.

Watch her loyalty to her husband as she sees him run after the mirage of young and callously carefree beauty, and she sees his business collapse and begin to affect her own life.There is more: There is the extremely competent direction, an engrossing screenplay, and bewitching photography from director Autant-Lara and his team. It provides no happy end but this film has so much to offer that I can only encourage you to not miss it, dear reader.

Š-DR-EN CAS DE MALHEUR de Claude Autant-Lara (1958 ) p20

10/02/2014 11:31 par tellurikwaves

The most controversial of Bardot's films…

Author: Righty-Sock (robertfrangie@hotmail.com) from Mexico
24 July 2005

*** This review may contain spoilers ***

The phenomenal success of the Bardot myth, like that of James Dean which just preceded it, was very much the immediate response of the youth public to a need they felt in themselves and which Bardot was the first young girl to realize on the screen… In Claude Autant-Lara's film, Bardot came off as more than a sexual image, her persona giving life to the character she portrayed... The film contained of the most erotic scenes of her career: Brigitte was called on to raise her skirt in order to convince a skeptical lawyer to represent her case!

In her frank demand for sexual pleasure Bardot is without any feminine guile, and the film contrasts her 'honesty,' for what it is worth, with the sophisticated behavior of the 'woman of the world' played by Edwige Feuillère… Gabin and Feuillère, dubious at first of appearing with her, claimed subsequently to have found her charming and intelligent, but at the same time nervous, full of self-doubt, and uncertain both of her talent and her beauty…