©-DR-MÖBIUS de Eric Rochant (2013) p20

05/02/2014 17:23 par tellurikwaves

  • ©-DR-MÖBIUS de Eric Rochant (2013) p20

    ©-DR-MÖBIUS de Eric Rochant (2013) p20

    05/02/2014 17:23 par tellurikwaves

A bit dejected for a spy thriller

Author: Bene Cumb from Estonia
2 February 2014

For a change, it is eventful to watch non-Hollywood type of thriller, with more mind-twists and less chases or killings. Romantic angle is usually proper as well, especially among the French and by talented actors like Jean Dujardin and Cécile de France, but the film in question became too wistful and tensions faded away even where appropriate... True, the chemistry between them was pleasant and erotic scenes added "French touch" but - as mentioned - one could easily forget the background with at least 3 secret services striving for getting their aims fulfilled.

Moreover, the story became too complex as well at times, but what I liked was multiple solutions in the ending, and the very final scene provides food for thought. The use of Russian actors was good (as it is a Russian-French film), however, the contrast of pure Russian spoken by them and that by Dujardin and Tim Roth (depicting Russian gangster Rostovsky) became too obvious.Nevertheless, if you like calm spy films, then Möbius is more than an entertainment.

©-DR- MÖBIUS p19

05/02/2014 17:21 par tellurikwaves

  • ©-DR- MÖBIUS  p19

    ©-DR- MÖBIUS p19

    05/02/2014 17:21 par tellurikwaves

Brilliant, intelligent.

Author: GUENOT PHILIPPE (philippe.guenot@dbmail.com) from France
9 March 2013

*** This review may contain spoilers ***

That's the very first time since THREE BURIALS, back in 2005, that Europacorp Productions - Luc Besson's crap factory - give us such an interesting film. Of, course, many things are very hard to follow in this movie maybe not anyone could be pleased to watch without a little boredom. It deserves to be seen at least three or four times before getting the very unusual lines of this amazing feature. A tale of double cross, undercover mission, mixed with a romantic spy thriller topic. This movie also gives us a bitter sweet taste in the mouth. It could have been with more action sequences, although. But after all...The ending doesn't spoil the entire film. A good piece of work.

©-DR-MÖBIUS de Eric Rochant (2013) p18b

05/02/2014 17:19 par tellurikwaves

  • ©-DR-MÖBIUS de Eric Rochant (2013) p18b

    ©-DR-MÖBIUS de Eric Rochant (2013) p18b

    05/02/2014 17:19 par tellurikwaves

Things that aren't suppose to happen, do in this thriller

Author: JohnRayPeterson from Montreal, Canada
4 July 2013

*** This review may contain spoilers ***

The cinematography and editing were a delight for this movie genre so I wanted to bring that up first before it gets drowned by everything else; there is so much going on and so much to follow one's attention is easily focused elsewhere.

I wasn't familiar with director Eric Rochant's work and I have to admit I was most pleased with this film, I would not hesitate considering other of his future projects, especially if they are in similar genre and have actors I'm familiar with. In Möbius there were plenty of such actors; we all remember Jean Dujardin for his Oscar winning performance in The Artist. I also liked him in 'Les Infidèles"/The Players. You may remember Cécile De France for her performance in the absolutely delightful 'Le Gamin au Vélo '; she has had other notable roles in the highly charged 'Haute Tension'-Switchblade Romance -and in Mesrine parts 1 and 2  to name a few worth considering. Then there's Tim Roth, who needs no introduction, John Lynch and Émilie Duquenne who I expect will have more and better roles in the future, if I go by what I've read about her and saw in this movie. All the other supporting actors did a fine job as well.

The plot is not easy to follow or to explain for that matter, so if you're going to see this movie, you can't afford to miss much of the dialogue. Moïse, played by Dujardin, is an FSB agent on a joint French and Russian task force aimed at bringing down Ivan Rostovsky, played by Roth, a sinfully wealthy businessman who does more than dabble in international money laundering on a vast scale. Of course, Rostovsky's status also means he controls Russian politicians and that is the focus of FSB high ranking director Cherkachin's, played by Vladimir Menshov, real mission for Moïse.

Moïse is loyal to Cherkachin first and foremost; the latter only has aspiration to gain the FSB top job and he has different plans for Rostovsky's influence. Hence, Moïse has a double role. The CIA has planted Alice (Cécile De France), a forced collaboration as she is not a CIA agent but rather a top finance expert, in a position where she can infiltrate Rostovsky's organization and set up him and his whole organization for their own agenda, all the while she seems to collaborate with the joint task force. I was astonished that the plot managed to have both the CIA and the new head of FSB get what they wanted out of the mission(s), but it did. You'll have to watch the movie to discover how.

Both Moïse and Alice are driven characters, smart and good at what they do. The very last thing either is suppose to do is get involved in an affair, let alone with each other, but they do. It becomes more than either wanted or anticipated. I really enjoyed how that played out even as the very last scene confirms our suspicion that their affair was more than any expected.I saw the original French version which had the Russian dialogues sub-titled but not the English ones, as those were instead dubbed; and noticeably, all of Roth's dialogues were dubbed.

Perhaps his delivery in French of a Russian accent did not fare well with the focus groups, I can only guess, but the whole dubbing aspect of the movie did not sit well with me. I can't figure why the producers did not go with sub-titles here; my conclusion is that it aimed for a European audience much more than an American one.I recommend the movie for how it follows a steady path despite the complexity of the plot and love sub-plot, but I do caution that you have to work for the pay-off satisfaction. You may very well think when it's over that Dujardin and De France make an ideal on screen couple and you would be right.

©-DR-MÖBIUS de Eric Rochant (2013) p18

05/02/2014 17:17 par tellurikwaves

  • ©-DR-MÖBIUS de Eric Rochant (2013) p18

    ©-DR-MÖBIUS de Eric Rochant (2013) p18

    05/02/2014 17:17 par tellurikwaves

Very good movie

Author: aperisic from Seattle
6 November 2013

I really cannot understand the low ratings on IMDb for this movie. It is a very good movie that will see its remake, if necessary, very soon. I enjoyed it very much with all suspense and games played around. I do not doubt that these games are real. The movie is spanning US, Europe and Russia, and I was afraid that the story is going to become too simplified or too convoluted. No, the movie is very watchable and to the point regarding the story it tells. Acting is brilliant.

All elements in the movie are so real and so current, like a novelization of real life. I almost forgot that the movie can be made that way. The movie definitely has French elements: individualism and all that, but it goes beyond France. I will closely monitor events in French cinematography as this is really not as much of a surprise as it is a very good work in every aspect.

©-DR-MÖBIUS de Eric Rochant (2013) p17

05/02/2014 17:15 par tellurikwaves

  • ©-DR-MÖBIUS de Eric Rochant (2013) p17

    ©-DR-MÖBIUS de Eric Rochant (2013) p17

    05/02/2014 17:15 par tellurikwaves

Interesting Intrigues, Very Good Composition ("bad" rating, IMDb WTH?)

Author: Ace X from Europe
4 August 2013

*** This review may contain spoilers ***

The story is mainly set in Monaco, where economy and national/international cabals intertwine. Alice (Cécile de France) works for a Russian Bank and as a mole for the CIA. Moïse's (Jean Dujardin) FSB (Russian Intelligence) Team recruits her without knowing her CIA-affiliation. CIA and FSB both want to get in on the bank's founder Rostovsky and his economic/criminal activities. In the thick of it, Moïse get's too close to Alice and falls in love with her. It gets more and more complicated, and in the end, Rostovsky is not that important anymore as the whole Monaco mission evolves to a standoff between CIA and FSB with the main characters as double/triple agents and lovers who betray each other unwillingly.

Plot: Really interesting idea - a plot that one would envision as close to the real mechanism behind actual intelligence affairs (current whistle-blower affairs, Cold War affairs). If you are interested in spy affairs and you can live without action scenes, this is your movie. My rating of nine shows my enthusiasm.Below some further details, light spoilers and criticism.Script: Five minutes in, and one knows the parameters and the scenes keep rolling and rolling – every scene is important and adds something new.

Only the sex scenes seemed to be out of rhythm, as enchanting as they were.The metaphor of the Möbius strip is fitting for the intrigues and the characters becoming double/triple (maybe even quadruple) agents. The scene in which the metaphor is laid out to the viewer is a bit clumsy (and it had to involve a corpulent CIA agent, weird). The scenes with Alice's father are a bit forced. All in all, the script is powerful, compact – really good.Actors: Cécile de France IS Alice – beautiful and strong-willed as the script describes her.

Jean Dujardin is really good, always giving us a hint of a restless soul, a man adopted in his youth by the KGB. The scene of Alice's and Moïse's first face-to-face-encounter is an unbelievable good play of gazes. The atmosphere in the sex scenes created by the actors is wonderful.Tim Roth plays convincingly a Russian tycoon who imitates Cal Lightman from the TV show "Lie to Me". I like Tim Roth.Aleksey Gorbunov is a Russian mobster who accidentally stepped on the set and was cast as Rostovsky's security. Brilliant move from casting department!

The other actors do a good job as intelligence officials and agents. Saïd is interesting. Maybe Émilie Dequenne as Russian agent does a bit too much to show the audience she knows of Alice's and Moïse's relation (but that could be also one of the few "mis-directions").Direction/photography: Beautiful images of Monaco, nice opening shot. Interesting angles. The murder scene in the elevator scene is almost the only action scene. The camera and direction underline the rawness and brutality and the "finishing move" is delivered in "Drive"-like coolness.Really good ideas of the director like the dry chase scenes which have a nice realistic touch.

Sometimes the character's are on the edge of becoming caricatures and oppose the otherwise realistic approach to the story-line (mainly Gorbunov and Roth that fill their roles nearly too good (?).Apart from that, the direction/photography completed and sometimes even seemed to enhance the efforts of the actors (see first encounter of Alice and Moïse, sex scenes, interaction of the side characters).Music: Maybe a bit too much Don Cossack Choir (inspired) music. Several really good electronic beats that fit the drive of the movie (and also seem to be influenced by Winding Refn's movie "Drive").All in all, "Möbius" is a round package and gives the viewer a good time and something to think about.

©-DR-MÖBIUS de Eric Rochant (2013) p16

05/02/2014 17:13 par tellurikwaves

  • ©-DR-MÖBIUS de Eric Rochant (2013) p16

    ©-DR-MÖBIUS de Eric Rochant (2013) p16

    05/02/2014 17:13 par tellurikwaves

©-DR- MÖBIUS p15

05/02/2014 17:11 par tellurikwaves

  • ©-DR- MÖBIUS  p15

    ©-DR- MÖBIUS p15

    05/02/2014 17:11 par tellurikwaves

fascinating performances by two great french actors

Author: rightwingisevil from United States
3 July 2013

Actress Cécile De France and Oscar Best Actor 2011 Winner Jean Dujardin both played in the French film "Möbius (2013)". Their love making scene in this film just looked so realistically beautiful. Cécile De France played the heroine who enjoyed sex to the extreme with her subtle facial reactions responding to every movement, while Jean Dujardin focused on her face silently yet so intensely. The scene played so serenely beautiful, showing the big difference from a bad porno film.

The whole process from when he sat in the night club spotting her came in with Tim Roth, to she approached him after she spotted him looking at her, then to the sudden return after she left, then to the bar scene where they drank and talked, then to the bed making love. the whole segment was one of the best directed and performed what a good movie should and could be.By viewing this almost lifelike performance in an unreal visual drama, you would learn how really good actors could perform, especially those French actors.

©-DR-MÖBIUS de Eric Rochant (2013) p14

05/02/2014 17:08 par tellurikwaves

  • ©-DR-MÖBIUS de Eric Rochant (2013) p14

    ©-DR-MÖBIUS de Eric Rochant (2013) p14

    05/02/2014 17:08 par tellurikwaves

Pour moi :
Une des plus belle,pudique et oh combien convaincante
scène d'orgasme
jamais portée à l'écran
 (je n'ai pas encore vu LA VIE D'ADELE...)

©-DR-MÖBIUS de Eric Rochant (2013) p13

05/02/2014 17:06 par tellurikwaves

  • ©-DR-MÖBIUS de Eric Rochant (2013) p13

    ©-DR-MÖBIUS de Eric Rochant (2013) p13

    05/02/2014 17:06 par tellurikwaves

Extraordinaire

Author: kosmasp
30 September 2013

The performances that is! A good story, that gets a bit slowed down by some flashbacks. Dujardin and De France are a pair that ignites more than just a fire. And it translates to the screen. As the director was saying in the interview, the main thing was to make that relationship work and it does work.

The story with an international cast and many languages spoken (english, french, Russian ...) might feel overloaded at times, but it still works because of the actors involved in it. The fact you are involved with the characters only heightens the tension that the movie portrays. Not really that many action scenes (one fight scene in particular stands out), but the thrill of it still works.

©-DR-MÖBIUS de Eric Rochant (2013) p12

05/02/2014 17:04 par tellurikwaves

  • ©-DR-MÖBIUS de Eric Rochant (2013) p12

    ©-DR-MÖBIUS de Eric Rochant (2013) p12

    05/02/2014 17:04 par tellurikwaves

Too complicated for its own good.

Author: shawneofthedead from http://shawneofthedead.wordpress.com/
16 January 2014

It doesn't happen often, but once in a while, it's possible for a film to be both under- and over-cooked at the same time. Writer-director Eric Rochant's Möbius is a case in point.

The double-crossed romance at its heart flirts with being fascinating but doesn't quite get there, buried as it is within the conspiracy-laden, high-stakes world of big business and covert intelligence.While monitoring the offshore activities of crooked Russian tycoon Ivan Rostrovsky (Tim Roth), Russian secret agent Gregory Lioubov (Jean Dujardin) talent-spots Alice Redmond (Cecile De France), a brilliant international banker so spectacular she was banned from working in America after the Lehman Bros scandal. Not realising that Alice is already working with the CIA, Gregory directs his team to recruit and use her to get closer to Rostrovsky. Inevitably, secrets and conspiracies pile up, with Gregory only complicating matters when he stumbles into a forbidden relationship with Alice.

There are a few moments and ideas that shine through Möbius, no doubt the ones that most inspired Rochant to construct a script around them. These come mainly in the relationship between Alice and Gregory – or Moses, as she knows him. Their connection is under-written, suggested more through soul-shuddering orgasms than what is technically in the script. Nevertheless, Dujardin and de France just about make it work, whether Gregory is brazenly deceiving his colleagues to answer a call from Alice or they're sharing a final, quietly devastating scene together.

But their efforts are let down by an overly complicated plot, one that feels as if it doesn't make much sense even when all is revealed. The motivations of every agency involved are murky at best. The CIA comes off the worst, its agents lurking stupidly through a handful of scenes as their ties with Alice ebb and flow in quite mysterious fashion. The Americans in the cast must also grapple with the unwieldy, soapy chunks of dialogue they're given. As a result, the film loses steam when it should gain tension.

A Möbius strip, as a character explains quite late in the film, is a deceptively simple phenomenon. Half-twist a strip of paper,fasten the two ends together,et voila:something utterly simple rendered impossibly complicated a never-ending loop, a two-dimensional model with only one surface. Rochant meant for the strip to be a metaphor for the dilemma in which his characters find themselves. It's rather appropriate, though perhaps not quite how he intended it, that the strip also serves as an apt metaphor for the entire film.