© DR -RIDICULE de Patrice Leconte (1996) p24
14/07/2013 10:39 par tellurikwaves
© DR -RIDICULE de Patrice Leconte (1996) p24
14/07/2013 10:39 par tellurikwaves
An excellent period film(Verset 2)
Ridicule is a period film, and it was very effective in illustrating the differences between elements of society today and of the society of 1793. Obviously, honesty is very highly valued today. A recent survey showed that honesty is the third thing that women truly desire in a relationship (preceded by affection at No.1 and conversation at No.2). The same survey showed sex to be Number one on men's importance list, and this completes one of the sharpest contrasts seen in Ridicule.
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Ponceludon de Malavoy, the man seeking to have his swamp drained, is engaging in a sexual relationship with,an attractive older woman of much higher social status .When he informs her of his lack of emotional feelings for her, she responds in a way that, in my opinion, is exactly the opposite of the way a woman today would respond, by literally telling him to lie to her. She tells him, `Learn to hide your insincerity so that I can yield without dishonor.'
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Aside from the fact that this shows that she would rather be bedded than loved, at least by Ponceludon, it also enhances the drama caused by his love for someone else, and his obvious feelings of guilt about sleeping with another woman. Ponceludon does not love her, but knows that she is capable of improving his chances of getting help from the king
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Ponceludon, despite having sexual relations with Marquise de Bellegarde, the older upper class woman, is in love with a simpler, poorer woman named Mathilde. She develops very strong feelings for him as well, but she is engaged to a very old, very rich man. She is determined to remain engaged to him, even though he is currently married to another woman, so that he may finance her scuba diving interests. The fact that Ponceludon and Mathilde are both engaged in strikingly similar manipulative relationships makes their love for each other even more effective.
© DR -RIDICULE de Patrice Leconte (1996) p23
14/07/2013 10:32 par tellurikwaves
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© DR -RIDICULE de Patrice Leconte (1996) p23
14/07/2013 10:32 par tellurikwaves
An excellent period film (1)
Author: Michael DeZubiria (wppispam2013@gmail.com) from Luoyang, China
2 April 2001.(chapitre1)
Ridicule deals with the consequences of a monarch or ruler running his empire according to his own personal interests, rather than concern for the greater good of the people. There were also a couple of underlying themes, such as the distribution of social classes overall and the ignorance of the upper classes, as well as the human suffering that comes as a result of arrogance, ego, and social status. A romantic conflict was a significant part of the story, dealing with the pain and guilt that someone may feel from seducing one person for manipulative purposes and actually being in love with a different person.
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The story is of a man named Ponceludon de Malavoy who needs to drain a mosquito and disease infested swamp, but he needs King Louis XVI's help to do it. He travels to Versailles, but finds that he needs to have the sharpest of all wits in order for the king to recognize his problem at all. He finds himself in a society driven almost exclusively by the measure of each person's wit (or `hew-mah,' as they heard it was called in English), and the seriousness of Ponceludon's plight was second to this point, if it is noticed at all. It was more important to King Louis XVI to be entertained than it was to drain a swamp that was causing sickness and death even among children.
One scene in particular was very effective in demonstrating the ignorance of the upper class. There was a boy named Paul who was a deaf-mute, and seen as a `half-wit' by the upper class people. Obviously, in this society this is the last thing that anyone wants to be. He is exiled from the kingdom, sent to live with other ‘half-wits,' only to return later with several other deaf-mutes after having learned to communicate using sign language. They are introduced to the upper class members, who are skeptical about the worth of the half-wits' lives.
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When they see that these kids are able to communicate, they are noticeably impressed. They even give them a standing applaud when one of them manages to make a `play on signs.' They see that these kids are not only intelligent enough to communicate, but can even be witty using sign language, and this completely changes their view. They had always seen people like Paul as less important, simply because they are not able to speak or hear, which is clearly a symptom of classical ignorance.
© DR -RIDICULE de Patrice Leconte (1996) p22
14/07/2013 10:21 par tellurikwaves
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© DR -RIDICULE de Patrice Leconte (1996) p22
14/07/2013 10:21 par tellurikwaves
brilliant
Author: moulya from Palo Alto, CA
29 July 2001
Patrice Leconte's most achieved feature. The scenario mixes wit, cruelty, finest ferocious humor, politics and romance with a rare balance. Rhythm is fast, and the movie is served by a wonderful cast (many actors are among the best stage actors in France), notably main character Charles Berling and Bernard Gireaudeau's abbe de Villecourt. Jean Rochefort's supporting performance is outstanding, as is the impersonation of a Versailles court's bird of prey by Fanny Ardant. All in all, i.m.h.o., one of the best French movies of the 90s.
© DR -RIDICULE de Patrice Leconte (1996) p21
14/07/2013 02:13 par tellurikwaves
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© DR -RIDICULE de Patrice Leconte (1996) p21
14/07/2013 02:13 par tellurikwaves
Gem of subtlety
Author: davidguy from Paris
6 September 2001
I have seen this film recently on video after having missed it at the cinema and on TV. I knew it would be all about cruelty of words and superficiality of elites. Indeed, this film is a true gem, very well played, sharp and quick. It tells the story of a young provincial nobleman discovering the Versailles Court as he tries to get funding for his project. What he finds will lead the nobility to its brutal end 6 years later:futility,self-conceit, disinterest to the people's problems, superficiality of relationships (all of which still pervade it modern French elite, to some respects as was evident from revelations of Mitterrand's shameful reign).
Of course the political message is important.But equally if not more important-or pleasurable are the dialogues. French can be so brutal, insidious, cruel, tortured, witty when used a propos that I'm not sure the non-French speakers could get the most of the dialogues. Certainly the absolutely brilliant rhymes contest would be somehow lost in English subtitles. A very good 9/10 for this movie, and a bit less if you don't get the dialogues.
© DR -RIDICULE de Patrice Leconte (1996) p20
14/07/2013 01:53 par tellurikwaves
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© DR -RIDICULE de Patrice Leconte (1996) p20
14/07/2013 01:53 par tellurikwaves
© DR -RIDICULE de Patrice Leconte (1996) p19
14/07/2013 01:49 par tellurikwaves
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© DR -RIDICULE de Patrice Leconte (1996) p19
14/07/2013 01:49 par tellurikwaves
Best French film of the 1990's
Author: Mario Bergeron from Cap-de-la-Madeleine, Canada
7 September 1999
This is a very very intelligent movie. From a historical point of view, it's perfect! It shows how cruel and vain the French noblesse was before the French Revolution of 1789,and why this country had a revolution* It's also a fantastic movie for the beauty of the French language. Actors are fabulous, with Berling, Rochefort and Ardant. For me, French cinema is always at it's peak when they're doing comedy of historical movies, like this one, or Beaumarchais l'insolent, Marquise, or Cyrano de Bergerac (aïe ! je déteste).
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By the way, I'd like to tell Thefan-2 of Detroit that the Ridicule of the title don't mean Ridiculous. In the Renaissance French language, it means Hard. And that's what is facing Berling, when he wants to get in touch the king to help the poor people of his land.
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* Ce n'était guère mieux dans les autres royaumes d'Europe,mais il n'y a pas eu de révolution pour autant chez eux...Des changements par la suite...certes...certes
© DR -RIDICULE de Patrice Leconte (1996) p18
14/07/2013 01:39 par tellurikwaves
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© DR -RIDICULE de Patrice Leconte (1996) p18
14/07/2013 01:39 par tellurikwaves
Quand même important la "photo" dans un film non ? Bah oui...bah oui !
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© DR -RIDICULE de Patrice Leconte (1996) p17
14/07/2013 01:33 par tellurikwaves
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© DR -RIDICULE de Patrice Leconte (1996) p17
14/07/2013 01:33 par tellurikwaves
© DR -RIDICULE de Patrice Leconte (1996) p16
14/07/2013 01:24 par tellurikwaves
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© DR -RIDICULE de Patrice Leconte (1996) p16
14/07/2013 01:24 par tellurikwaves
Cutting humor truly a cut above
Author: Caledonia Twin #1
25 January 2001
I have to say that this film is certainly not for an audience with a predilection for sophomoric or low-brow "hu-mah". The action in this film is nearly entirely a matter of verbal cut and thrust and quick repartee. A period piece shot in pre-revolutionary France in the days of King Louis and Marie Antoinette, Ridicule portrays an era when wit could earn a passport into courtly favor, and one verbal faux pas could ruin a man's reputation and position in society.
*
Charles Berling's performance as Ponceledon, the rustic nobleman trying to bring his petition to drain the disease-infested swamps of his region before the King of France, is in a word, superb... Fanny Ardant is also a well-cast Madame de Blayac, the dexterously duplicitous countess who appears disposed towards aiding Ponceledon in his suit.Ridicule is a genuinely delightful comedy. I recommend it highly even to those who do not speak French.My rating: 9/10.
© DR -RIDICULE de Patrice Leconte (1996) p15
14/07/2013 01:18 par tellurikwaves
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© DR -RIDICULE de Patrice Leconte (1996) p15
14/07/2013 01:18 par tellurikwaves